для Cisco Cisco TelePresence MX700
D14778.02 TC Console version 6 User Guide | © 2013 Cisco Systems, Inc. All rights reserved.
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Audio Console
The system has 8 user-definable equalizers, each made
up of 6 second order IIR filter sections.
up of 6 second order IIR filter sections.
These 6 filter sections can be modified independently of
each other by setting the four parameters:
•
each other by setting the four parameters:
•
. The filter types available are Peaking
(band pass / band stop), low shelf, high shelf, low pass
and high pass.
and high pass.
•
. Available range is –20.00 to +20.00 dB in steps
of 0.01 dB.
•
. Available range is 20–20 000 Hz in steps
of 1 dB.
•
. Available range is 0.13–100.00 in steps of
0.01.
You may set these parameters by dragging and dropping,
by specifying them numerically, or if you wish, combine
the two to the extent you want.
by specifying them numerically, or if you wish, combine
the two to the extent you want.
Each of these 8 equalizers can be applied to one or
more of the audio inputs of the codec, but only one per
input—they cannot be cascaded.
more of the audio inputs of the codec, but only one per
input—they cannot be cascaded.
For maximum flat response, the Q-value should be set
to
to
1
⁄
√2
. for the high- and low-pass filters, as well as for
the high- and low-shelf filters.
The Q-value of a filter is defined as the center frequency
divided by the –3 dB filter bandwidth.
divided by the –3 dB filter bandwidth.
101 102 103 104
Frequency (Hz)
Peaking filter
Gain
Q
8
6
4
2
0
6
4
2
0
-2
-4
-4
-6
-8
-8
dB
101 102 103 104
Frequency (Hz)
Low shelf filter
Gain = 6 dB
Gain = 4 dB
Gain = 2 dB
Gain = -2 dB
Gain = -4 dB
Gain = -6 dB
8
6
4
2
0
6
4
2
0
-2
-4
-4
-6
-8
-8
dB
Frequency (Hz)
101 102 103 104
Frequency (Hz)
High shelf filter
8
6
4
2
0
6
4
2
0
-2
-4
-4
-6
-8
-8
dB
Gain = 6 dB
Gain = 4 dB
Gain = 2 dB
Gain = -2 dB
Gain = -4 dB
Gain = -6 dB
101 102 103 104
Frequency (Hz)
Low pass and high pass filters
Highpass filter
2
0
0
-2
-6
-8
-8
-10
-12
-14
-16
-18
-12
-14
-16
-18
-20
Lowpass filter
dB
the equalizer funCtionality
Introduction
Contents
Video compositor
Sources of inspiration