Roland V-Synth 用户手册

A limiter/de-esser, enhancer, 3-band equalizer, and delay are 
connected in series.

A limiter holds down high signal levels to prevent distortion.

A de-esser cuts the sibilant sounds of a voice, producing a gentler 
tone.

fig.MFX-33

Guitar Multi provides Comp/Limiter, Overdrive or Distortion, 
Chorus or Flanger, and Delay effects connected in series.

fig.MFX-34

Limtr Mode

LIMITER, DE-
ESSER

Selects whether the effect will 
function as a limiter or as a de-
esser.

Limtr Thresh-
old

-60–0 dB

Adjusts the level (Threshold 
Level) at which the limiter will 
begin to operate.

Limtr Release 
#1

0–127

Adjusts the time until when the 
limiter will turn off after the in-
put level falls below the thresh-
old level.

Limtr Gain

-60– +12 dB

Adjusts the gain of the sound 
that passes through the limiter.

DE Sens

0–127

Adjusts the sensitivity relative 
to the input volume, which con-
trols how the effect is applied.

DE Frequency

1000–10000 Hz

Adjusts the frequency at which 
the de-esser effect will apply.

Enhan Sens

0–127

Sensitivity of the enhancer

Enhan Frequen-
cy

0–127

Sets the lower limit of the fre-
quencies to which the enhance-
ment effect is added.

Enhan Mix Lev-
el

0–127

Level of the overtones generated 
by the enhancer

Enhan Level

0–127

Volume of the enhancer sound

EQ Low Freq

50–4000 Hz

Frequency of the low range

EQ Low Gain

-15– +15 dB

Gain of the low range

EQ Mid Freq

50–20000 Hz

Frequency of the middle range

EQ Mid Q

0.5, 0.7, 1.0, 2.0, 
4.0, 8.0

Gain of the middle range
Set a higher value for Q to nar-
row the range to be affected.

EQ Mid Gain

-15– +15 dB

Gain of the middle range

EQ Hi Freq

2000–20000 Hz

Frequency of the high range

EQ Hi Gain

-15– +15 dB

Gain of the high range

Delay Time

0–1300 ms, note Adjusts the delay time from the 

direct sound until the delay 
sound is heard.

Delay Feedback -98– +98 %

Adjusts the proportion of the de-
lay sound that is fed back into 
the effect. Negative (-) settings 
will invert the phase.

3-Band

EQ

Limiter/

De-esser

L

R

Enhancer

Delay

Low Damp Freq 50–4000 Hz

Adjusts the frequency below 
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps 
the low frequency band of the 
delay sound quicker than other 
bands, which makes for a clearer 
delay effect.

Low Damp 
Gain

-36–0 dB

Degree of Low Damp

Hi Damp Freq

2000–20000 Hz

Adjusts the frequency above 
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the 
higher frequencies first, makes 
the delay sound more natural.

Hi Damp Gain

-36–0 dB

Degree of High Damp

Delay Level

0–127

Volume of the delay sound.

Comp Sw

OFF, ON

Turns the comp/limiter on/off.

Comp Thresh-
old

-60–0 dB

Sets the volume level at which 
the compression begins.

Comp Attack

0–127

Sets the time after the sound vol-
ume is crossed the compressor 
threshold until compression be-
gins.

Comp Release

0–127

Specifies the time from when the 
volume drops below the com-
pressor threshold until com-
pression is no longer applied.

Comp Ratio

1.5:1, 2:1, 4:1, 
100:1

Sets the “source sound:output 
sound” compression ratio.

Comp Gain

-60– +12 dB

Adjusts the output gain.

Distortion Sw

OFF, ON

Selects whether to use overdrive 
or distortion.

Distortion 
Mode

OD, DS

Selects whether to use overdrive 
(OD) or distortion (DS).

Drive

0–127

Degree of distortion

Amp Sim Sw

OFF, ON

Turns the amp simulator on/off.

Amp Type

SMALL, 
BUILT-IN, 2-
STACK, 3-
STACK

Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack 
amp
3-STACK: large triple stack amp

Distortion Level 0–127

Volume of the overdrive or dis-
tortion sound.

Chorus/

Flanger

Overdrive/

Distortion

L

R

Comp/
Limiter

Delay