Roland VS-1824 用户手册
181
Chapter 13 CD-RW and Mastering
Chapter 13
To Prohibit Digital Copying
When mixing down from the VS-1824 to a DAT recorder or
similar recorder via a digital connection, you can prevent
digital copying of the tape on which the mixdown has been
recorded. Many DAT recorders implement “SCMS”—the
Serial Copy Management System. With a DAT recorder
which uses SCMS, you are allowed to make only one digital
copy of a regular audio CD onto a DAT tape. Once the digital
copy exists on the DAT tape, you cannot make additional
digital copies using the DAT tape as the source. This function
makes DAT tapes recorded digitally from the VS-1824
function as those recorded digitally from a CD. With the
following procedure, you can prevent your digitally mixed
master tapes from being later copied digitally onto DAT
tapes or other similar digital media.
similar recorder via a digital connection, you can prevent
digital copying of the tape on which the mixdown has been
recorded. Many DAT recorders implement “SCMS”—the
Serial Copy Management System. With a DAT recorder
which uses SCMS, you are allowed to make only one digital
copy of a regular audio CD onto a DAT tape. Once the digital
copy exists on the DAT tape, you cannot make additional
digital copies using the DAT tape as the source. This function
makes DAT tapes recorded digitally from the VS-1824
function as those recorded digitally from a CD. With the
following procedure, you can prevent your digitally mixed
master tapes from being later copied digitally onto DAT
tapes or other similar digital media.
SCMS (See Appendices p. 13)
1. Hold [SHIFT] and press [F5 (SYSTEM)].
The System menu icon appears in the display. If the
System menu icon does not appear, press [F6 (EXIT)].
System menu icon does not appear, press [F6 (EXIT)].
2. Press [F1 (SYSPM)].
If “SYSPM” does not appear in the display above [F1],
press [PAGE] until “SYSPM” appears, and then press [F1
(SYSPM)].
press [PAGE] until “SYSPM” appears, and then press [F1
(SYSPM)].
3. Use [
], [
], [
], and [
] to move the
cursor to “Digital Copy Protect.”
Digital Copy Protect
This setting determines whether or not a DAT master
created from the Digital Output jacks of the VS-1824 can
be later copied digitally.
created from the Digital Output jacks of the VS-1824 can
be later copied digitally.
Off:
Digital copying of the DAT tape is allowed.
On:
Digital copying of the DAT tape is prohibited.
4. If you want to prohibit the digital copying of a master
DAT created from the VS-1824, use the TIME/VALUE
dial set Digital Copy Protect to “On.”
dial set Digital Copy Protect to “On.”
5. Press [PLAY (DISPLAY)] to return to the Playlist display.
Mixing Down While Inserting
Effects
Effects
You can insert effects as you mix down.
While performing a mixdown, it is common to insert an
effect such as a parametric equalizer or a compressor. For
this example, we will insert the Mastering Tool Kit (FX1;
p. 99) to adjust the overall volume balance as we mix down.
effect such as a parametric equalizer or a compressor. For
this example, we will insert the Mastering Tool Kit (FX1;
p. 99) to adjust the overall volume balance as we mix down.
1. Press [CD-RW/MASTERING].
2. Press [F1 (MstRm)].
The Mastering Room screen will appear.
3. Press [
], [
], [
], and [
] to move the
cursor. Use the TIME/VALUE dial to specify the value
for each parameter.
for each parameter.
fig.2-18
Sw
This parameter turns the Mastering Room feature on and off.
To rehearse your mix before actually recording your
mastering tracks, select “Off.”
To rehearse your mix before actually recording your
mastering tracks, select “Off.”
On:
When Sw is turned on, Tracks 17 and 18 are
designated as the mastering tracks—and will be
shown as “L” and “R” on the Playlist display.
designated as the mastering tracks—and will be
shown as “L” and “R” on the Playlist display.
Off:
When Sw is turned off, Tracks 17 and 18
function normally.
function normally.
* Remember that audio on Tracks 17 and 18 will not be included
in the final mixdown once Sw is set to “On,” since Tracks 17
and 18 will be used as mastering tracks. If you wish to include
audio from Tracks 17 and 18 in your final mix, you must
bounce it to any track from 1-16.
and 18 will be used as mastering tracks. If you wish to include
audio from Tracks 17 and 18 in your final mix, you must
bounce it to any track from 1-16.
Status
This specifies the status of the mastering tracks. For this
example, select “Rec.”
example, select “Rec.”
Rec:
Play back Tracks 1-16 while recording them to
the mastering tracks.
the mastering tracks.
Play:
Play back the mastering tracks. The sound of
Tracks 1-16 will not be output from the
MASTER jacks.
Tracks 1-16 will not be output from the
MASTER jacks.