Roland GW-7 用户手册

 

MFX will not be applied.

 

Controls the harmonic structure of the high-
frequency portion of the sound, adding 
sparkle and improving the definition.

 

Produces a natural-sounding distortion typ-
ical of a vacuum tube amplifier.
1: Small amp
2: Built-in type
3: Large double-stack amp
4: Large triple-stack amp

 

Produces a more intense distortion than 
Overdrive. Four types are available.

 

Adds a phase-shifted sound to the original 
sound, and modulates it over time to pro-
duce a twisting and turning sensation.

 

Cyclically moves a filter to produce a wah 
effect (cyclic change in tone).

 

Simulates the sound of classic rotary speak-
ers from the past. You can switch the rota-
tional speed (slow/fast) by moving the 
BENDER/MODULATION lever away from 
yourself, realistically simulating the behav-
ior of an actual rotary speaker. This is partic-
ular effective when applied to organ sounds.

 

Produces a metallic whooshing effect remi-
niscent of a jet airplane taking off and land-
ing.

 

The pitch of the flanger sound changes in 
stepwise fashion.

 

Suppresses high-level sounds and boosts 
low-level sounds, making the overall vol-
ume more consistent.

 

Compresses sounds that are louder than a 
specified level, thus preventing distortion.

 

Six-phase chorus that adds depth and spa-
ciousness to the sound (six chorus units with 
different delay times are layered).

 

Chorus with an added tremolo effect.

 

Stereo chorus.

 

A multiple chorus that applies two-phase 
modulation in stereo. It does not produce an 
impression of modulation, but generates a 
transparent chorus effect.

 

Repeats the input sound to create echoes.

 

Adds modulation to the delayed sound, cre-
ating a flanger-like effect.

 

Three delayed sounds are panned to mid-
dle, left, and right.

 

Four delayed sounds are heard.

 

This is a delay that lets you change the delay 
time in real time by operating the modula-
tion lever.

 

Adds reverberation to the original sound, 
simulating a large space.

 

Reverb that cuts the reverberation during its 
decay.

 

Gated reverb, where the reverberation grad-
ually increases.

 

Reverb sound that moves from right to left.

 

Reverb sound that moves from left to right.

 

Shifts the pitch of the original sound. Two 
pitch-shifted sounds can be layered onto the 
original sound.

 

Pitch shifter in which the pitch-shifted 
sound is fed back to the input, producing an 
echo.

 

Overdrive and chorus are connected in se-
ries.

 

Overdrive and flanger are connected in se-
ries.

 

Overdrive and delay are connected in series.

 

Distortion and chorus are connected in se-
ries.

 

Distortion and flanger are connected in se-
ries.

 

Distortion and delay are connected in series.

 

Enhancer and chorus are connected in se-
ries.

 

Enhancer and flanger are connected in se-
ries.

 

Enhancer and delay are connected in series.

 

Chorus and delay are connected in series.

 

Flanger and delay are connected in series.

 

Chorus and flanger are connected in series.

 

Chorus and delay are connected in parallel.

 

Flanger and delay are connected in parallel.

 

Chorus and flanger are connected in paral-
lel.

GW-7_e.book 20 ページ ２００５年２月１６日　水曜日　午前８時４８分