Roland c-180 业主指南
6.2 MIDI functions supported by
the C-180
The C-180 can transmit and receive various MIDI
message types, some of which are straightforward,
while others require some insight into the workings of
the MIDI standard.
message types, some of which are straightforward,
while others require some insight into the workings of
the MIDI standard.
MIDI channels used by the C-180
The C-180 uses the following MIDI channels for
sending and receiving MIDI messages:
sending and receiving MIDI messages:
These channels cannot be changed, so be sure to set
the external device to the channel number of the
desired C-180 part.
the external device to the channel number of the
desired C-180 part.
Note messages
The C-180 transmits and receives note messages that
translate which keys you pressed on the keyboard.
translate which keys you pressed on the keyboard.
Program change, bank select messages
In Orchestra mode, pressing a tab to select the desired
sound will cause the C-180 to send two bank numbers
(Bank Select MSB & LSB) as well as a program change
number. When receiving such a cluster, the C-180
selects the corresponding sound. Note that only the
following numbers are recognized. The ones in the
grey box can only be selected via MIDI, and are thus
only received.
sound will cause the C-180 to send two bank numbers
(Bank Select MSB & LSB) as well as a program change
number. When receiving such a cluster, the C-180
selects the corresponding sound. Note that only the
following numbers are recognized. The ones in the
grey box can only be selected via MIDI, and are thus
only received.
Control changes
In Orchestra mode, the C-180 transmits and receives
CC64 messages that describe when the optional SUS-
TAIN footswitch is pressed and released. Furthermore,
the C-180 sends and receives CC11 messages that
describe the movements of the EXPRESSION PEDAL.
CC64 messages that describe when the optional SUS-
TAIN footswitch is pressed and released. Furthermore,
the C-180 sends and receives CC11 messages that
describe the movements of the EXPRESSION PEDAL.
Other control changes that the C-180 transmits are
CC07 for the volume (Organ/Orchestral Bass & Lay-
er) and CC91 to communicate the Reverb depth set-
ting (see page 11).
CC07 for the volume (Organ/Orchestral Bass & Lay-
er) and CC91 to communicate the Reverb depth set-
ting (see page 11).
Note: Some of the above MIDI messages are only available
in Orchestra mode. See also the MIDI implementation
chart at the end of this manual.
in Orchestra mode. See also the MIDI implementation
chart at the end of this manual.
SysEx messages
The C-180 also transmits SysEx messages that have a
rather complex structure and are thus only meaning-
ful to seasoned MIDI enthusiasts. If you work with
the internal Recorder or an external sequencer, it may,
however, be possible to record them without even
knowing what they look like. See your sequencer’s
manual for details.
rather complex structure and are thus only meaning-
ful to seasoned MIDI enthusiasts. If you work with
the internal Recorder or an external sequencer, it may,
however, be possible to record them without even
knowing what they look like. See your sequencer’s
manual for details.
If the sequencer does accept SysEx messages, you can
also record the settings of the BASS and MANUAL
tabs as well as of the temperament in Organ mode,
and transmit these registration data back to the C-180
for realtime automation.
also record the settings of the BASS and MANUAL
tabs as well as of the temperament in Organ mode,
and transmit these registration data back to the C-180
for realtime automation.
SysEx messages sent and received when the tilt tabs
are operated in Organ mode:
are operated in Organ mode:
These data are followed by the SysEx body comprised
of a Sub-Command byte, an optional Offset byte, 34
data bytes, the Checksum and “F7” (End of exclusive).
of a Sub-Command byte, an optional Offset byte, 34
data bytes, the Checksum and “F7” (End of exclusive).
The Checksum value can be calculated using the for-
mula [128 – (Offset byte + data bytes)].
mula [128 – (Offset byte + data bytes)].
The data bytes respresent the new state of the bitmap.
The registers (tilt tabs) are assigned to the values listed
below.
The registers (tilt tabs) are assigned to the values listed
below.
SysEx assignments of the C-180’s tilt tabs:
[MANUAL]
Byte
Bit
0
3
8’ Principal
1
1
8’ Gemshorn
1
0
8’ Gedackt
1
5
4’ Octave
1
6
4’ Spitzflöte
9
5
2 2/3 Nazard
2
1
2’ Super Octave
2
3
1 1/3 Quintflöte
2
6
IV Mixture
3
2
8’ Trompete
4
4
Manual Temulant
[BASS]
21
4
16’ Subbass
22
2
8’ Octave
F0h
Beginning of the SysEx string
41h
Roland manufacturer’s ID
10h
Model ID (C-180)
30h
Instrument type (30= generic organ
data)
data)
12h
Data set
ORGAN BRILLIANCE
❍ CC00 CC32 PC
ORGAN BRILLIANCE
● CC00 CC32 PC
BASS
String Bass
00
00
55
Double Bass
00
00
44
Electric Bass
00
00
36
Bassoon
00
00
71
MANUAL
Piano
00
00 01
— —
Electric Piano
00
00
05
Celeste
00
00
09
Harpsichord
00
00
07
Coupled
Harpsichord
08
00
07
Chimes
00
00
115
Nylon
Guitar
00
00
25
Strings
00
00
50
Violin
01
00
41
Slow Strings
00
00
55
Clarinet
00
00
72
Harp
00
00
47
— —
Warm Brass
00
00
62
Brass
32
00
62
Electric Organ
00
00
17
Oboe
00
00
69
Church Choir
00
00
53
— —
Choir
10
00
53
Flute
00
00
74
(MIDI)
Trumpet
00
00
57
French Horn
00
00
61
Piano1 w
08
00
01
Fantasia
00
00
89
Church Bell
08
00
15
Soft pad
00
00
90
Nylon+Steel
09
00
26
Whistle
00
00 79
For Orchestra mode
ORGAN mode
Rx/Tx channel
Manual part
12
Bass part
14
ORCHESTRA mode
Channel
Bass part
3
Manual part
4
Layer part (see page 13)
5
18
Owner’s Manual