Roland g-70 业主指南

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Using the mixer functions & effects
100
r
G-70 Music Workstation
Using the multi-effects processor 
(Multi-FX)
Your G-70 contains a multi-effects processor that can 
be used for processing any Keyboard part you like. 
There is a similar processor for external audio signals 
(with the same algorithms), which is be covered on 
page 104.
(1) Press the PART ON/OFF [UP1] button (it must light).
(2) Select the “Dist. Guitar” sound on page 2 of the 
[E.GUITAR/BASS] family.
(3) Play a few notes on the keyboard and switch the 
[MULTI-FX] button on/off to hear the difference.
The MFX is available for all Keyboard parts. 
• Press the [EFFECT] button.
• Press the [MFX¥PART¥ASSIGN] field.
• Press the field(s) of the Keyboard part(s) that should 
use the selected MFX effect.
Note: There is only one MFX processor that is shared by all 
Keyboard parts.
• Press the [EXIT] button to return to the main page.
Selecting another MFX type and editing it
The G-70 provides 84 different Multi-FX types, some of 
which are combinations of two effects for added flexi-
bility. Here is how to select another Multi-FX type:
(1) Press and hold the [MULTI-FX] button until the dis-
play looks as follows:
You can also select this page by pressing the [EFFECT] 
button
→ [MFX] field and the [EDIT] field. But the 
above method is a lot faster.
(2) Press the [ON] (or [OFF]) field to switch the proces-
sor on (icon lights) or off (icon goes dark).
You can also do so on the EFFECTS page (see above).
(3) Press the field below “MFX” where the name of the 
currently selected type is displayed.
(4) Select the desired type with the [DATA÷ENTRY] dial 
or the [DEC]/[INC] buttons.
Note: Multi-FX type selection can be linked to Tone selection 
for the Upper1 part. See page 101.
The available types are:
To avoid confusion, we decided to explain the avail-
able parameters elsewhere. See page 228. Here’s how 
to edit the parameters:
(5) Press the field of the parameter you wish to 
change (the number of fields and their functions 
depend on the selected type).
UP 1
MULTI
FX
1. Thru
2. Stereo EQ 
3. Overdrive 
4. Distortion 
5. Phaser
6. Spectrum
7. Enhancer
8. Auto Wah
9. Rotary
10. Compressor
11. Limiter
12. Hexa-Chorus
13. Trem Chorus
14. Space-D
15. St. Chorus
16. St. Flanger
17. Step Flanger
18. St. Delay
19. Mod. Delay
20. 3 Tap Delay 
21. 4 Tap Delay 
22. Time Delay 
23. 2 Pitch Shifter 
24. FBK Pitch
25. Reverb
26. Gate Reverb 
27. OD‰ Chorus
28. OD‰ Flanger 
29. OD‰ Delay 
30. DST‰ Chorus 
31. DST‰ Flanger 
32. DST‰ Delay 
33. EH‰ Chorus 
34. EH‰ Flanger 
35. EH‰ Delay 
36. Chorus‰ DLY 
37. Flanger‰ DLY 
38. CHO‰ Flanger 
39. CHO/Delay 
40. Flanger/DLY
41. CHO/Flanger 
42. Isolator 
43. Low Boost
44. Super Filter
45. Step Filter
46. Humanizer
47. Speaker Sim
48. Step Phaser
49. MLT Phaser
50. Inf. Phaser
51. Ring Modul
52. Step Ring
53. Tremolo
54. Auto Pan
55. Step Pan
56. Slicer
57. VK Rotary
58. 3D Chorus 
59. 3D Flanger 
60. 3D Step Flgr 
61. Band Chorus 
62. Band Flanger 
63. Band Step Flg 
64. VS Overdrive 
65. VS Distortion
66. GT Amp Simul
67. Gate
68. Long Delay 
69. Serial Delay 
70. MLT Tap DLY 
71. Reverse DLY 
72. Shuffle DLY 
73. 3D Delay 
74. Long Time DLY
75. Tape Echo 
76. LoFi Noise 
77. LoFi Comp 
78. LoFi Radio 
79. Telephone 
80. Phonograph 
81. Step Pitch
82. Sympa Reso
83. VIB-OD-Rotary
84. Center Canc