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: This seven-tone Indonesian scale is more interesting than Slendro

and is now the primary scale in Balinese music.

: This 17 tone scale is the original Arabic scale adopted from the

Pythagorean scale.

: This twelve-tone scale is the modern version of the

Arabic scale popular in Arabic music today.

Equal tempered scales with a large number of tones are typically used to
play common tonal harmony with greater purity of intervals and chords.
The typical approach is to analyze a passage (or less) of music and select
tones from a scale that will best approximate the desired pure intervals.

: This scale has greater purity of minor thirds and major thirds

(and conversely, minor and major sixths) than twelve-tone equal tem-
perament. A disadvantage is that perfect Þfths and narrower than those
found in twelve-tone equal temperament.

: Also know as the quarter tone scale, this scale is used for vari-

ety but has no advantage in terms of ratios that better approximate pure
intervals.

: In addition to intervals that better approximate pure intervals,

this scale also contains good approximations to Indonesian pelog and
slendro scales.

: Related mathematically to the cycle of Þfths, the 53-tone scale

has very pure major and minor thirds, and Þfths and fourths.

: Harry Partch is considered the father of modern microtonality.

This scale was devised by him and used in instrument building and per-
formances.

: Wendy Carlos performed extensive computer analysis to

devise a number of equal tempered scales with good approximations for
the primary harmonic intervals and their inversions. This scale is good
at approximating the primary intervals including 7/4. This scale divides
the octave into 15.385 steps forming intervals of 78.0 cents.

: This scale divides the octave into 18.809 steps forming

intervals of 63.8 cents.