Korg triton-rack 信息指南

100

Changing the scale

You can specify the scale for each program, for each
timbre in a combination, or for each track of a multi.

These settings are made by “Type” in the following
pages, and by “Use Prog’s Scale” for a combination or
multi.

Here we will show how to make settings in Multi
mode.

1 Press the [MULTI] key to enter Multi mode.

2 Press the [MENU] key, and then press the [F3] key

to select “Prm2.” Press the [F8] (“Open”) key.

3 Select the [F1](“Othr..8”) key or the [F2](“Othr..16”)

key.

4 If you wish to use the scale that is specified for the

program used by a track, check the “Use Prog’s
Scale” check box for that track.

Tracks that are not checked will use the scale speci-
fied by Scale “Type.”

5 Set “Type” to select the scale for the entire cur-

rently selected multi.

Setting the function of “SW1” and
“SW2”

You can specify the function of the “SW1” and “SW2”
(

☞

PG p.213).

The functions of the “SW1” and “SW2” are set inde-
pendently for each program, combination, and multi.
In Sampling mode, the functions of these keys are set
for the entire mode.

You can specify the function that will be performed by
the “SW1” and “SW2,” and can also select between
Toggle

(when the function will be switched on/off

each time the [F6](“SW1”) or [F7](“SW2”) key is
pressed) and Momentary (when the function will be on
only while you continue holding the [F6](“SW1”) or
[F7](“SW2”) key).

These settings are made by “SW1/2 Assign” in the fol-
lowing pages.

When you write a program or combination, the
on/off status of the “SW1” and “SW2” is memo-
rized.

You can use these keys as alternate modulation or
effect dynamic modulation sources, and control
program parameters or effect parameters.

In this case, you will normally select SW1
Mod.(CC#80)

and SW2 Mod.(CC#81).

For an example in which the “SW1” is specified as an
effect dynamic modulation source for a program and
used to control an effect, refer to ☞p.98.

The settings of Sampling mode cannot be saved.

Setting the B-mode functions of
REALTIME CONTROLS [1]–[4]

You can specify the B-mode functions of REALTIME
CONTROLS knobs [1]–[4] (

☞

PG p.214).

The B-mode functions are set independently for each
program, combination, or multi. The functions in Sam-
pling mode are set for the entire mode.

These settings are made by “Knob B Assign” in the fol-
lowing pages.

You can use these knobs as sources for alternate
modulation or effect dynamic modulation, and
control program parameters or effect parameters.
In this case, you will normally select Knob
Mod.1(CC#17)

, Knob Mod.2(CC#19), Knob

Mod.3(CC#20)

, and Knob Mod.4(CC#21).

Here we will give an example of how knob [1] can be
used to control the filter and amp EG attack of a pro-
gram.

1 Press the [PROG] key to enter Program mode.

2 Press the [MENU] key, and then press the [F2] key

to select “Ctrl.” Press the [F8] (“Open”) key. The
2.2: Ed-Ctrl, Controls page will appear.

3 Press the Knob B Assign “Knob 1-B” popup but-

ton, and select F/A Attack(CC#73).

4 Press the [SELECT] key to select B-mode, and turn

knob [1] to control the EG attack of the filter and
amp.

The settings of Sampling mode cannot be saved.

Program

2.1: Ed–Basic, Prog Basic

Combination

3.2: Ed–Param2, Other

Multi

3.2: Param2, Other (Othr..8/Othr..16)

Program

2.2: Ed–Ctrl, Controls

Combination

2.2: Ed–Ctrl, Controls

Multi

2.2: Controller, Controls

Sampling mode

5.2: Controller, Controls

Program

2.2: Ed–Ctrl, Controls

Combination

2.2: Ed–Ctrl, Controls

Multi

2.2: Controller, Controls

Sampling mode

5.2: Controller, Controls