Korg triton-rack 信息指南
98
If “BUS (IFX/Indiv.) Select” is set to IFX1–5, this is
set by “Send Level 1” and “Send Level 2” (Insert Fx
tab) after the sound has passed through the insert
effects.
set by “Send Level 1” and “Send Level 2” (Insert Fx
tab) after the sound has passed through the insert
effects.
If “BUS (IFX/Indiv.) Select” is set to other than Off
and “Level” is raised, the external audio source
will be input to the TRITON-Rack. At this time, if
audio cables are connected to the AUDIO INPUT
1, 2 jacks, any noise component will be input to the
TRITON-Rack even if there is no actual audio
input, and (depending on the settings) will be out-
put from the AUDIO OUTPUT L/MONO, R, 1, 2,
3, 4 jacks. If you are not using an external audio
source, and are playing only the internal pro-
grams, combinations, and multis, you should set
“BUS (IFX/Indiv.) Select” to Off, or set “Level” to
0
and “Level” is raised, the external audio source
will be input to the TRITON-Rack. At this time, if
audio cables are connected to the AUDIO INPUT
1, 2 jacks, any noise component will be input to the
TRITON-Rack even if there is no actual audio
input, and (depending on the settings) will be out-
put from the AUDIO OUTPUT L/MONO, R, 1, 2,
3, 4 jacks. If you are not using an external audio
source, and are playing only the internal pro-
grams, combinations, and multis, you should set
“BUS (IFX/Indiv.) Select” to Off, or set “Level” to
0
.
If audio cables are not connected to the rear panel
AUDIO INPUT 1, 2 jacks, the input to the TRI-
TON-Rack will be 0.
AUDIO INPUT 1, 2 jacks, the input to the TRI-
TON-Rack will be 0.
About dynamic modulation
(Dmod)
(Dmod)
Dynamic modulation (Dmod) is a function that lets
you use MIDI messages or the TRITON-Rack’s control-
lers to control specific effect parameters in realtime.
BPM/MIDI Sync is another function that controls effect
parameters, and is used to synchronize the LFO speed
of modulation-type effects or the delay time etc. of
delay-type effects to the tempo of the arpeggiator or an
external sequencer.
For details on each of these functions, refer to PG p.211.
you use MIDI messages or the TRITON-Rack’s control-
lers to control specific effect parameters in realtime.
BPM/MIDI Sync is another function that controls effect
parameters, and is used to synchronize the LFO speed
of modulation-type effects or the delay time etc. of
delay-type effects to the tempo of the arpeggiator or an
external sequencer.
For details on each of these functions, refer to PG p.211.
Setting example:
We will show how you can use dynamic modulation to
control an effect parameter in realtime.
control an effect parameter in realtime.
BPM Delay. Verify that a delay sound is being out-
put.
put.
2 Select the PROG 7.1: Ed-Insert FX, IFX1 page.
Using the Dmod function to vary the delay level by
pushing the joystick of a connected TRITON or
other MIDI device away from yourself
pushing the joystick of a connected TRITON or
other MIDI device away from yourself
3 Set “InLvl Mod” to +100.
4 Set “Src” to JS+Y#1.
The joystick will control the input level to the effect.
When you set “Src” to JS+Y#1, the delay sound will
no longer be output; however it will gradually
increase as you move the joystick away from your-
self.
When you set “Src” to JS+Y#1, the delay sound will
no longer be output; however it will gradually
increase as you move the joystick away from your-
self.
Using the Dmod function to vary the feedback
level by operating “SW1” ([F6] key)
level by operating “SW1” ([F6] key)
5 In the PROG 2.2: Ed-Ctrl, Controls page, set the
function of “SW1” to SW1 Mod. (CC#80), Toggle.
6 Return to the PROG 7.1: Ed-Insert FX, IFX1 page,
and set the C Fb (C Delay Feedback) “(Source)” to
SW1 #80.
SW1 #80.
7 Set “(Amount)” to +30.
8 Press the [Exit] key etc. to return to the PROG 1.1:
Play page.
When you (move the joystick away from yourself
and) press the [F6] (“SW1”) switch, the feedback
level will increase, and the delay sound will con-
tinue repeating more times.
The “(Amount)” setting determines the feedback
level when the [F6] (“SW1”) key is pressed. If you
set “(Amount)” to –10 and press the [F6] (“SW1”)
key, the feedback level will be 0.
and) press the [F6] (“SW1”) switch, the feedback
level will increase, and the delay sound will con-
tinue repeating more times.
The “(Amount)” setting determines the feedback
level when the [F6] (“SW1”) key is pressed. If you
set “(Amount)” to –10 and press the [F6] (“SW1”)
key, the feedback level will be 0.
Using the BPM/MIDI Sync. function to synchronize
the delay time to arpeggiator tempo changes.
the delay time to arpeggiator tempo changes.
9 Set “BPM” to MIDI.
0 For L, C, and R, set “L/C/R Bs” and “Times” as
desired.
For this example, set “L/C/R Bs” to
and “Times”
to 1 so that the effect will be easily understandable.
The delay time will repeat at an interval of a 8th
note.
The delay time will repeat at an interval of a 8th
note.
A Set the realtime controller function to C-mode, and
rotate REALTIME CONTROLS knob 1
(“TEMPO”).
(“TEMPO”).
When you (move the joystick away from yourself
and) rotate the knob, the delay time will change.
and) rotate the knob, the delay time will change.
B Turn on the [ARP ON/OFF] switch to start the
arpeggiator.
Move the joystick away from yourself and select the
desired arpeggio pattern.
When you rotate REALTIME CONTROLS knob 1,
the delay time will change in synchronization to any
changes you make in the arpeggiator tempo.
desired arpeggio pattern.
When you rotate REALTIME CONTROLS knob 1,
the delay time will change in synchronization to any
changes you make in the arpeggiator tempo.
If you rotate the REALTIME CONTROLS knob to
change the tempo while the delay is sounding,
noise may occur in the delay sound. This is
because the delay sound becomes discontinuous,
and is not a malfunction.
change the tempo while the delay is sounding,
noise may occur in the delay sound. This is
because the delay sound becomes discontinuous,
and is not a malfunction.
For some effects, you can synchronize the LFO fre-
quency to the tempo. Set the effect parameters
“BPM/MIDI Sync” to On, and “BPM” to MIDI.
For details refer to PG p.156.
quency to the tempo. Set the effect parameters
“BPM/MIDI Sync” to On, and “BPM” to MIDI.
For details refer to PG p.156.