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Korg triton-rack 信息指南

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12
Connecting audio equipment etc.
Connections must be made with the power turned 
off. Please be aware that careless operation may 
damage your speaker system or cause malfunc-
tions.
1. Connecting the power cable
●
Connect the included AC/AC power supply to the 
AC power supply inlet of the TRITON-Rack, and 
then connect the other end of the cable to an AC 
outlet.
2. Connecting audio output devices
AUDIO OUTPUT (MAIN) L/MONO, R
(INDIVIDUAL) 1, 2, 3, 4
Here, you can connect a set of amplified monitor 
speakers or your audio system to output the TRITON-
Rack’s sound.
If you wish to use the AUDIO OUTPUT (INDIVID-
UAL) 1–4 jacks of the TRITON-Rack, we recommend 
that you use a mixer.
If you playback the TRITON-Rack through your 
stereo audio system, be aware that high volumes 
may damage your speakers. Be careful not to raise 
the volume excessively.
●
Connect the AUDIO OUTPUT (MAIN) L/MONO 
and R jacks to the INPUT jacks of your powered 
monitor system, mixer etc.
L/MONO and R are the main outputs. If you are 
outputting in stereo, make connections to the 
(MAIN) L/MONO jack and the R jack. If you are 
outputting in monaural, make connections to the 
(MAIN) L/MONO jack. We recommend that you 
playback in stereo if possible.
●
If you wish to output from the AUDIO OUTPUT 
(INDIVIDUAL) 1, 2, 3, 4 jacks, connect these jacks 
to your mixer, and then connect the mixer output 
to the INPUT of your powered monitor system etc.
MIDI OUT
Mixer
Powered monitors, 
etc.
MIDI IN
XVP-10, EXP-2 etc.
PS-1 etc.
DP-1H etc.
MIDI cable
MIDI keyboard
TRITON-Rack
INPUT
AUDIO
OUTPUT
to an AC outlet
~ AC9V
AC/AC power supply
MIC
1
BAL
OR
UNBAL
LINE IN 1
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
PHONES
MIC
2
BAL
OR
UNBAL
LINE IN 2
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
3
BAL
OR
UNBAL
LINE IN 3
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
4
BAL
OR
UNBAL
LINE IN 4
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
5
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
6
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
1
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
2
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
3
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
4
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
5
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
6
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
7–8
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
9–10
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
11–12
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
13–14
MUTE
A LT   3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
U
+10
U
+20
U
+20
1
2
AUX 1 MASTER
PRE
POST
NORMALLED
AUX 1
SELECT
EFX TO
MONITOR
AUX 
RETURNS
SOURCE
MAIN
MIX
LEFT
RIGHT
CLIP
+28
+10
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
0dB=0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN
TO MAIN MIX
NORMAL(AFL)
LEVEL SET(PFL)
SOLO
MODE
PHANTOM
POWER
CONTROL
ROOM
/ PHONES
MAIN MIX
Guitar
Mic
INPUT
Monitor
OUTPUT
CD player, analog record
player, etc.
Effect processor etc.
If a passive type guitar (a guitar 
without an internal preamp) is 
connected, it will not be possible to 
sample at an appropriate level due 
to the impedance mismatch. Such 
instruments must be connected via 
a preamp or effect unit.
DAT, MD etc.
1. Connecting the power cable
2. Connecting audio output devices
3. Connecting audio input devices
4. Connecting digital recording equipment
Connecting MIDI equipment
Connecting separately sold options
Rack installation
DIGITAL IN
S/P DIF
AUDIO INPUT