Korg triton-rack 信息指南

 is a type of modulation that can 

be used to control various aspects of the sound.

 refers to any of 

the numerous sources that can control alternate modu-
lation, and includes controllers such as the realtime 
controller that you physically operate, incoming MIDI 
data, as well as modulators such as the EG or LFO.
Since the TRITON-Rack allows you apply modulation 
to a modulator, this type of control is referred to as 
“alternate modulation.”

 is a parameter that sets the degree (speed or 

depth) to which AMS will control alternate modula-
tion.

Combinations of modulations that are frequently used 
in on the TRITON etc. performance (such as using the 
joystick or ribbon controller to vary the pitch) are also 
provided as special parameters separately from alter-
nate modulation.

The TRITON-Rack provides 29 types of alternate mod-
ulation.
In single mode you can use 29 alternate modulation 
destinations of 29 types, and in double mode you can 
use 55 alternate modulation destinations of 29 types.
There are 42 AMS sources. (However depending on the 
type of modulation, some sources cannot be selected.)
For details on alternate modulation and AMS, refer to 
PG p.205.

When making settings for alternate modulation, think 
of the effect that you wish to produce, what type of 
modulation will be necessary to produce that effect, 
and what parameter of the oscillator, filter, or amplifier 
needs to be controlled. Then select a source (“AMS”) 
and set the “Intensity.” If you proceed logically in this 
way, you will achieve the desired effect.

For example if you want to “control a guitar-like sound 
so that it appears to be approaching feedback when the 
joystick is moved away,” you will make settings so that 
the joystick controls filter modulation or the resonance 
level.