Korg triton-rack 信息指南

In Combination mode you select and play combina-
tions and edit them.
Combination mode consists of pages 1.1: Play–7.3: Ed–
MasterFX.
In 1.1: Play you can select and play combinations. You 
can also do some overall editing, and make arpeggiator 
settings (☞p.27).
In 2.1: Ed–Basic–7.3: Ed–MasterFX you can edit the 
parameters of the combination that was selected in 1.1: 
Play.

A combination consists of a variety of parameters that 
can be accessed in 2.1: Ed–Basic–7.3: Ed–MasterFX. The 
diagram below shows how a combination is struc-
tured.

Banks INT-A–INT-D of the TRITON-Rack contain a 
wide variety of combinations that use the preloaded 
programs (bank INT-A and INT-B) and the preset and 
preloaded user arpeggio patterns and effects. You can 
edit these combinations, or create your own original 
combinations from an initialized state.
Programs using sample waveforms/multisamples that 
you sampled in Sampling mode (or loaded into mem-
ory in Disk mode) can also be used in a combination.

A combination that you edited or created can be writ-
ten into one of 1,664 combination memory locations in 
banks INT-A–INT-E or EXB-A–EXB-H. Combinations 
can also be stored or organized on external media such 
as floppy disk in Disk mode. (☞p.36)

If a program being edited in Program mode is used 
in a combination, it will sound according to the set-
tings being edited.

If you wish to save an edited combination in inter-
nal memory, you must write it. (☞p.37)

If the separately sold EXB-MOSS option is 
installed, bank INT-F programs can be used for the 
timbres of a combination. For details on the param-
eters of bank INT-F programs, refer to the EXB-
MOSS owner’s manual and PG p.251.

The parameters of each timbre are set in 2.1: Ed-Prog/
Mix–4.4: MIDI Filter4. This is where you create the 
basic combination consisting of the programs you 
select here.
First use 2.1: Ed-Prog/Mix to select the program for 
each timbre, and then use 3.3: Ed-Key Zone and 3.4: 
Ed-Vel Zone to specify the range in which each pro-
gram will sound (layer, split, velocity switch, etc.). 
Then adjust the volume of each timbre, and set various 
other parameters.

To add finishing touches to the sound, you can make 
insert effect

 settings (in 7.2: Ed-Insert FX) and master 

 and master EQ settings (in 7.3: Ed-Master FX) 

that are separate from the effect settings of Program 
mode. In addition, you can make arpeggiator settings 
(in 6.1: Ed-Arp.) and controller settings (in 2.2: Ed-Ctrl) 
to create the finished combination.

By using the “Solo Selected Timbre” utility, you 
can listen only to the selected timbre. This is a con-
venient way to audition individual sounds of tim-
bres that are layered. (☞p.28)

In pages that display all timbres 1–8, such as 2.1: 
Ed-Prog/Mix, you can use the [

], [

] keys to 

select timbres. You can also select timbres directly 
by holding down the [TIMBRE/TRACK] key and 
pressing one of the [F1 

1/9

]–[F8 

8/16

] keys.

7.1-1 or 7.2 etc. indicate pages or tab screens used on the TRITON-Rack for editing.