Korg triton-rack 信息指南

In Multi mode the TRITON-Rack functions as a MIDI 
multi-timbral tone generator that receives multiple 
tracks of musical data from an external MIDI sequencer 
and plays them. Up to sixteen tracks of musical data 
can be played.
In addition, the RPPR or arpeggiator functions of the 
TRITON-Rack can be used simultaneously with this 
playback, which is useful in a variety of music produc-
tion or live performance situations.

When you turn off the power, the Multi mode set-
tings and user pattern data you recorded will be 
lost. If you wish to keep this data, you must save it 
on a floppy disk or external SCSI device (if the sep-
arately sold EXB-SCSI option is installed) before 
turning off the power, or perform a MIDI data 
dump to save the data on an external data filer etc.
If you wish to save the programs, track parameters 
and effects etc. selected for a multi as a template 
multi, use the Utility “Save Template Multi.”
Immediately after the power is turned on, the TRI-
TON-Rack will contain no multi data, so if you 
wish to play back patterns or RPPR, you must first 
load the necessary data or receive it via MIDI data 
dump. (☞p.36, PG p.113)

• You can use up to 200 multis, 100 user patterns 

(maximum of 99 measures) for each multi, and a 
maximum of 140,000 events

 (note data etc.).

• The RPPR (Realtime Pattern Play/Recording) 

 can be used for playback.

• The dual polyphonic arpeggiator can be used for 

playback or pattern recording.

• Sixteen different template multis are built-in, and 

contain program and effect settings suitable for 
various musical styles. Up to sixteen original 
templates that you create can be registered as user 
template multis.

• Five stereo insertion effects, two master effects, 

and a stereo master EQ can be used for each song.

• Programs that were converted from sample 

waveforms sampled in Sampling mode or sample 
files loaded in Disk mode can be used in a multi.

• If the separately sold EXB-MOSS option is 

installed, MOSS tone generator programs can be 
played multi-timbrally

. (For example, you could 

use two bass voices and four electric piano voices. 
However, effect settings cannot be made 
separately.)

• 150 preset patterns ideal for drum tracks are built 

in. In addition, you can create up to 100 user 
patterns for each multi. These patterns can be used 
as musical data within a multi, or can be played by 
the RPPR function.

• Patterns can be recorded in two ways: realtime 

recording in which the performance you play using 

the keyboard and controllers of a connected MIDI 
instrument (including the various MIDI control 
events) is recorded in realtime, and step recording 
in which you can individually input the note 
timing, note duration and velocity etc. in the LCD 
screen and enter the pitches from a keyboard. The 
maximum resolution is

 

 /192.

• The musical data and control events that you 

recorded can be edited in various ways (including 
event editing etc.).

• When the “Status” of a track is set to INT or BTH, 

an external sequencer can be used to play the 
TRITON-Rack as a multi-timbral tone generator.
When the “Status” of a track is set to BTH, EXT, or 
EX2, the RPPR of the TRITON-Rack can play exter-
nal tone

 generators.

• RPPR or the arpeggiator can be synchronized to an 

external MIDI device.

• The TRITON’s AMS (Alternate Modulation) 

capability lets you use control changes for realtime 
control of the parameters of the programs used in a 
program. Its MIDI Sync. functionality lets you 
synchronize the LFO speed to changes in the 
tempo.

• Dmod (Dynamic Modulation) functionality lets 

you control effect parameters in realtime. You can 
also use MIDI Sync. to synchronize the LFO speed 
or delay time to changes in the tempo.

• You can assign names not only to the multi, but 

also to each pattern and track.

• Combination settings can be copied to a multi.
• A multi pattern or RPPR data that you create can 

be saved in the TRITON-Rack’s native format, or 
transmitted as a MIDI data dump.

• Programs or sample files can be linked and saved 

on external media. This data can be loaded when 
desired.

• Musical data from a SMF (Standard MIDI File) can 

be loaded into a user pattern. A user pattern can 
also be saved on external media as an SMF.

• Using the Time Slice function of Sampling mode, 

rhythm loop samples of differing tempo can 
automatically be assigned to RPPR. This lets you 
use the RPPR function to simultaneously play 
multiple rhythm loop samples of different tempo 
without changing their pitch, or to change the 
tempo in realtime. The playback can also be 
switched on/off in realtime from a connected MIDI 
keyboard.

The following types of song data can be loaded from 
floppy disk or other external media into the TRITON-
Rack’s multi.

All multi data (parameter settings such as program, 
pan, volume, and status; user pattern data, RPPR