Korg triton-rack 信息指南

settings, effect settings etc.) of the TRITON-Rack can 
be loaded.

TRITON proX (keyboard models)
Parameter settings of the TRITON-Rack that are 
shared with the keyboard models and user pattern 
data can be loaded. Unsupported settings such as 
“Meter” and “Tempo Mode” will be loaded, but 
cannot be used. Cue list data will not be loaded 
(

the Load dialog box when you load the data, track 
data (events of all tracks of the sequencer) of the 
keyboard model will be loaded, but cannot be used 
in Multi mode. However by executing the DEMO/
SNG utility “Make Demo Data,” you will be able to 
play back this data in DEMO/SNG.

Standard MIDI Files of 99 measures or less can be 
loaded into a user pattern. Conversely, a user pat-
tern can be saved as a Standard MIDI File. This 
allows compatibility with another device that sup-
ports SMF.

The files listed above are loaded from floppy disk 
or other media in Disk mode. For details on saving 
multi data refer to PG p.134. For details on the con-tents of the keyboard model data that will be 
loaded/saved, refer to PG p.235.

Before you record a pattern, or edit the musical data, 
you will need to turn off the memory protect setting in 
Global mode. (☞p.37)

This function lets you compare the before-and-after 
states when realtime-recording, step-recording, or edit-
ing a pattern. (☞p.35)

If you continue editing when the [COMPARE] key 
LED is lit, the LED will go dark. That musical data 
will now be the data that is selected when the 
[COMPARE] key LED is dark.

All commands other than the “Memory Status,” 
“Rename Pattern,” and “Rename Track” utilities of 
the 5.1: RPPR, Pattern page

The “Delete Multi” and “Copy From Multi” utilities 
of the 1.1–4.4, and 6.1 pages

In general, the pattern event data will return to its pre-
vious state.
Multi parameters can be compared only in Multi Edit 
(when executing a utility menu command).

Multi mode is structured as shown in the diagram at 
the bottom of the following page.

A multi consists of tracks 1–16, multi parameters such 
as the multi name, effect parameters, arpeggiator and 
RPPR parameters, and 100 user patterns.
A maximum of 200 such multis can be created on the 
TRITON-Rack.

Tracks 1–16 consist of the following setting parame-
ters

.

Bank/Program No.*, Pan*, Volume*, Status, MIDI 
Channel, Bank(EX2) MSB/LSB, Force OSC Mode, OSC 
Select, Portamento*, Transpose**, Detune**, Bend 
Range**, Delay, Use Program's Scale, MIDI Filter, Key 
Zone, Velocity Zone, Track Name, Arpeggiator Assign, 
IFX/Indiv.Out BUS Select, Send1(MFX1)*, 
Send2(MFX2)*
* You can use performance data (MIDI program 

changes, MIDI control changes) from an external 
sequencer etc. to change the setting parameters of a 
track during a performance.

Track setting parameters other than the above-listed 
“Track Name,” scale-related parameters (3.2 
“Multi’s Scale,” “Key,” “Random”), Controls param-
eters (2.2), arpeggiator parameters (6.1), effect 
parameters (7.2, 7.3) can be modified during a per-
formance by transmitting data (system exclusive 
parameter change data) from an external sequencer 
etc. to change the parameter settings of the multi. 
For details on using system exclusive messages, 
refer to PG p.226 “About system exclusive mes-sages.”

** Performance data from an external sequencer etc. 

(MIDI RPN data) can be used to change the track 
setting parameter values during a performance.

For details on control changes and RPN, refer to PG p.222, p.225.

There are two types of patterns: preset patterns and 
user patterns.

• Preset patterns (P000–P149): Patterns suitable for 

drum tracks are preset in internal memory, and can 
be selected for any multi.

• User patterns (U00–U99): Each multi can have up 

to 100 patterns. When using a pattern in a different 
multi, use the Utility “Copy Pattern” etc. to copy 
the pattern. The pattern length can be specified in 
units of a measure.