Korg triton-rack 信息指南

The arpeggiator will operate 

when you play notes with a velocity (playing 
strength) that is within the specified range. Notes 
played with a velocity outside this range will be 
sounded normally, without regard to the arpeggia-
tor on/off.

6 If you wish to save the edited program settings to 

(☞p.37), and write the program (☞p.38).

If you want the arpeggiator settings written in a pro-
gram to be selected when that program is selected, 
check Program for “Auto Arp.” (GLOBAL 1.1: System, 
Basic page).

In Combination and Multi modes, the TRITON-Rack 
provides dual arpeggiator functionality that lets you 
use two arpeggio patterns simultaneously. The settings 
in each of these modes are made in the similar way. 
As an example, the following explanation shows how 
to make settings in Combination mode. For a detailed 
explanation and example settings (

☞

The dual arpeggiator functionality lets you do the fol-
lowing things.

• Assign an arpeggiator for each timbre. Choose 

from Off, (arpeggiator) A, or (arpeggiator) B.
 

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step5

• Independently specify whether A and B will 

operate. 

☞

step6

• Select an arpeggio pattern and set parameters 

independently for A and B. 

☞

step7

• Make Scan Zone page settings so that you can use 

keyboard range or playing velocity to switch 
between normal playing and arpeggiated playing, 
or to switch between arpeggiators A and B.
 

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step8

• Make settings for timbres that will be silent when 

the arpeggiator is Off, and will sound only when 
the arpeggiator is On.

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step0

Each time you press the [ARP ON/OFF] key, the 
arpeggiator will be switched on or off. When on, the 
LED will light. The selected arpeggio pattern will begin 
when you play the keyboard on the connected MIDI 
instrument. The on/off setting is saved when the com-
bination is written into memory.

If “Assign” is Off or “Arpeggiator Run” is not 
checked

, the arpeggiator will not operate even if 

this key is on.

1 Select COMBI 2.1: Ed-Prog/Mix, Prog page.

Select programs for the timbres that you wish to use. 
For this example, select any desired program for 
timbres 1–4.

2 Select COMBI 3.1: Ed-Paraml. MIDI page.

For the timbres that you will be using, set “Status” 
to INT, and set “MIDI Channel” to Gch or to the 
global MIDI channel (set in GLOBAL 2.1: MIDI 
“MIDI Channel”).

For this example, set timbres 1–4 to a “Status” of 
INT

, and timbres 5–8 to a “Status” of Off. Set the 

“MIDI Channel” of timbres 1–4 to Gch.

3 Select COMBI 6.1: Ed-Arp., Setup page.

4 Set “

This is the same as for a program (☞p.85). However, 
the tempo is shared by both arpeggiators A and B.

5 Make “Assign” settings.

Assign arpeggiator A or B to the desired timbres. 
Each timbre will be played by the arpeggiator that 
has been assigned to it.

6 Make “Arpeggiator Run” settings.

 the arpeggiator(s) that you want to operate. 

The arpeggiator(s) checked here will run when the 
[ARP ON/OFF] key is turned on.

With the settings shown in the LCD screen for steps 
2 and 3, turning the [ARP ON/OFF] key on will 
cause arpeggiator A to operate for timbres 1 and 2, 
and arpeggiator B to operate for timbre 3. When the 
[ARP ON/OFF] key is turned off, timbres 1–4 will 
sound as a layer.
If all timbres “Assign” are Off, or if neither “Arpeg-
giator Run” A or B is checked, the arpeggiator will 
not function.

7 In the Arp. A and Arp. B pages, set the parameters 

The parameters for A and B are the same as for a 
program (☞p.85).

8 In the Scan Zone page, specify the range in which 

The parameters for A and B are the same as for a 
program (☞p.86).