Korg SP-500 User Manual
56
8 “Delete” button: The chord indicated by
“
fi
” will be deleted.
9 “Put” button: Insert the specified chord at
the specified measure and location.
0 “Time signature” cell: Specify the time sig-
nature of the measure indicated by “
fi
”.
3, 4, 5 and 6 can be input from the key-
board. To input these from the keyboard, turn
on the [ACC] switch before you press the
“Step Rec” button. If necessary, you can also
turn on the “Bass Inv.” button.
board. To input these from the keyboard, turn
on the [ACC] switch before you press the
“Step Rec” button. If necessary, you can also
turn on the “Bass Inv.” button.
“Ctrl”: Inputting control events
You can input INTRO/ENDING, Variation,
and KBD ASSIGN settings used for auto-
matic accompaniment, and change the
rhythm style during the performance.
Input control events at the desired locations
in the same way as for the “Chord” track.
and KBD ASSIGN settings used for auto-
matic accompaniment, and change the
rhythm style during the performance.
Input control events at the desired locations
in the same way as for the “Chord” track.
1 “Measure” cell: The event will be written
into the measure specified here.
2 “Location” cell: Specify the location within
the measure at which the event will be writ-
ten.
ten.
3 “Event type” cell: Refer to “Control event
type list”
4 “Value” cell: Refer to “Control event type
list”
5 “▲, ▼” button: Select the location.
6 “Delete” button: The event indicated by
6 “Delete” button: The event indicated by
“
fi
” will be deleted.
7 “Put” button: Insert the specified control
event at the specified measure and location.
Control event type list
Let’s use step recording to input chords
When you use step recording to input the chords shown in the music below, the result will be the
list shown below right.
Input the data as described on p.55.
list shown below right.
Input the data as described on p.55.
6
1
2
7
3
4
4
5
Event name
Value
RhythmStyle
p.78 “Rhythm style list” “No.*”)
Sty.Element
Off, Var1, Var2, Var3, Var4, Int1, Int2, End1,
End2, Fil1, Fil2
End2, Fil1, Fil2
Kbd Assign
Full, Layer, Split, F-Mute (mutes the left-
hand keyboard for “Full”), L-Mute (mutes the
left-hand keyboard for Layer)
hand keyboard for “Full”), L-Mute (mutes the
left-hand keyboard for Layer)
Bass Inv.
Off, On
Transpose
–11 ~ +11
Drum Mute
Play, Mute
Perc Mute
Play, Mute
Bass Mute
Play, Mute
Acc1 Mute
Play, Mute
Acc2 Mute
Play, Mute
Acc3 Mute
Play, Mute
Upp1 Prog.
p.75 “Program list” “No.*”)
Up2/Lo Prog.
p.75 “Program list” “No.*”)
Upp1 Oct.
–2 ~ +2
Up2/Lo Oct.
–2 ~ +2
G
G7
G
G
Em
Cm6
C
B7
C
C
Em
Cm6
G
D7
G
G
D7
G
G7
D
A7
M003
1:00
G
/G
----
M004
3:00
G
/G
7
----
M005
1:00
C
/C
----
M005
3:00
C
/C
m6
----
M006
1:00
G
/G
----
M007
1:00
G
/G
----
M008
3:00
E
/E
m
----
M009
1:00
A
/A
7
----
M010
1:00
D
/D
----
M011
1:00
D
/D
7
----
M012
1:00
G
/G
----
M012
3:00
G
/G
7
----
M013
1:00
C
/C
----
M014
1:00
B
/B
7
----
M015
1:00
C
/C
----
M016
1:00
G
/G
----
M017
1:00
E
/E
m
----
M017
2:48
C
/C
m6
----
M017
3:00
G
/G
----
M017
4:00
D
/D
7
----
M018
1:00
G
/G
----
1
2
3
4
5
6
7
8
9
0
A
B
C
D
E
F
G
H
I J
K
1
2
3
4
5
6
7
8
9
0
A
B
C
D
E
F
G
H
I
J
K
2
3
4
5
6
7
8
9
0
A
B
C
D
E
F
G
H
I
J
K
Measme
Location
Root Bass
Type
Tention
✩
I’ve Been Working
Traditional