Roland Fantom-X8 Manual Do Utilizador
73
Creating a Patch
A-Env T4 V-Sens (TVA Envelope Time 4
Velocity Sensitivity)
Velocity Sensitivity)
The parameter to use when you want key release speed to control
the Time 4 value of the TVA envelope. If you want Time 4 to be
speeded up for quickly released notes, set this parameter to a
positive (+) value. If you want it to be slowed down, set this to a
negative (-) value.
the Time 4 value of the TVA envelope. If you want Time 4 to be
speeded up for quickly released notes, set this parameter to a
positive (+) value. If you want it to be slowed down, set this to a
negative (-) value.
Value:
-63– +63
A-Env Time KF (TVA Envelope Time Key
Follow)
Follow)
Use this setting if you want the TVA envelope times (Time 2–Time 4)
to be affected by the keyboard location. Based on the TVA envelope
times for the C4 key (center C), positive (+) settings will cause notes
higher than C4 to have increasingly shorter times, and negative (-)
settings will cause them to have increasingly longer times. Larger
settings will produce greater change.
to be affected by the keyboard location. Based on the TVA envelope
times for the C4 key (center C), positive (+) settings will cause notes
higher than C4 to have increasingly shorter times, and negative (-)
settings will cause them to have increasingly longer times. Larger
settings will produce greater change.
Value:
-100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10,
+20, +30, +40, +50, +60, +70, +80, +90, +100
+20, +30, +40, +50, +60, +70, +80, +90, +100
fig.06-031.e
A-Env Time 1–4 (TVA Envelope Time 1–4)
★
, ,
Specify the TVA envelope times (Time 1– Time 4). Higher settings
will lengthen the time until the next volume level is reached. (For
example, Time 2 is the time over which Level 1 will change to Level
2.)
will lengthen the time until the next volume level is reached. (For
example, Time 2 is the time over which Level 1 will change to Level
2.)
Value:
0–127
A-Env Level 1–3 (TVA Envelope Level 1–3)
Specify the TVA envelope levels (Level 1–Level 3). These settings
specify how the volume will change at each point, relative to the
standard volume (the Tone Level value specified in the TVA screen).
specify how the volume will change at each point, relative to the
standard volume (the Tone Level value specified in the TVA screen).
Value:
0–127
fig.06-041.e
Patch Out Assign
Specifies how the direct sound of each patch will be output.
Value:
MFX:
Output in stereo through multi-effects. You can also
apply chorus or reverb to the sound that passes
through multi-effects.
apply chorus or reverb to the sound that passes
through multi-effects.
A, B:
Output to the OUTPUT A (MIX) jack or OUTPUT B
jack in stereo without passing through multi-effects.
jack in stereo without passing through multi-effects.
1–4:
Output to the INDIVIDUAL 1–4 jacks in mono
without passing through multi-effects.
without passing through multi-effects.
TONE:
Outputs according to the settings for each tone.
*
If you've made settings so that sounds are separately routed to the
INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is
actually inserted in the INDIVIDUAL 2 jack, the sounds routed to
INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from
the INDIVIDUAL 1 jack.
INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is
actually inserted in the INDIVIDUAL 2 jack, the sounds routed to
INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from
the INDIVIDUAL 1 jack.
*
If the Mix/Parallel parameter ([MENU]/System/General) is set to
“MIX,” all sounds are output from the OUTPUT A (MIX) jacks in
stereo (p. 230).
“MIX,” all sounds are output from the OUTPUT A (MIX) jacks in
stereo (p. 230).
Tone Out Assign
Specifies how the direct sound of each tone will be output.
Value:
MFX:
Output in stereo through multi-effects. You can also
apply chorus or reverb to the sound that passes
through multi-effects.
apply chorus or reverb to the sound that passes
through multi-effects.
A, B:
Output to the OUTPUT A (MIX) jack or OUTPUT B
jack in stereo without passing through multi-effects.
jack in stereo without passing through multi-effects.
1–4:
Output to the INDIVIDUAL 1–4 jacks in mono
without passing through multi-effects.
without passing through multi-effects.
*
If the Patch Output Assign is set to anything other than “TONE,”
these settings will be ignored.
these settings will be ignored.
*
When the Structure Type parameter has a setting of Type “2”–”10,”
the outputs of tones 1 and 2 will be combined with tone 2, and the
outputs of tones 3 and 4 will be combined with tone 4. For this reason,
tone 1 will follow the settings of tone 2, and tone 3 will follow the
settings of tone 4 (p. 63).
the outputs of tones 1 and 2 will be combined with tone 2, and the
outputs of tones 3 and 4 will be combined with tone 4. For this reason,
tone 1 will follow the settings of tone 2, and tone 3 will follow the
settings of tone 4 (p. 63).
*
If you've made settings so that sounds are separately routed to the
INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is
actually inserted in the INDIVIDUAL 2 jack, the sounds routed to
INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from
the INDIVIDUAL 1 jack.
INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is
actually inserted in the INDIVIDUAL 2 jack, the sounds routed to
INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from
the INDIVIDUAL 1 jack.
*
If the Mix/Parallel parameter is set to “MIX,” all sounds are output
from the OUTPUT A (MIX) jacks in stereo (p. 230).
from the OUTPUT A (MIX) jacks in stereo (p. 230).
*
If you've set Tone Out Assign to “MFX,” set the MFX Output
Assign parameter (p. 208) to specify the output destination of the
sound that has passed through the multi-effects.
Assign parameter (p. 208) to specify the output destination of the
sound that has passed through the multi-effects.
*
Sounds are output to chorus and reverb in mono at all times.
*
The output destination of the signal after passing through the chorus
is set with the Chorus Output Select (p. 209) and the Chorus Output
Assign (p. 209).
is set with the Chorus Output Select (p. 209) and the Chorus Output
Assign (p. 209).
*
The output destination of the signal after passing through the reverb is
set with the Reverb Output Assign (p. 209).
set with the Reverb Output Assign (p. 209).
C4
C3
C2
C1
C5
C6
C7
0
+50
+100
-50
-100
Key
Time
1
2
4
3
T1 T2
T3
T4
L3
L1
L2
Note off
Level
Time
Note on
T: Time L: Level
Output
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