Yamaha EMX66M Manual Do Utilizador
Example setups
21
EMX66M—Owner’s Manual
As a band PA
Here is an example of using the EMX66M as a small PA for a band. In this example, the monitor speakers are
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is
also being used.
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is
also being used.
Connections
• Connect mics or instruments, such as keyboards,
to the channel input jacks 1–6.
• Connect the main speakers to the SPEAKERS A
1/2 jacks, and connect the monitor speakers to
the SPEAKERS B 1/2 jacks. Then, set the power
amp select switch to “MAIN-MON.”
the SPEAKERS B 1/2 jacks. Then, set the power
amp select switch to “MAIN-MON.”
• If you will be using an external effect such as
delay or reverb, connect the EMX66M’s EFFECT
OUT jack to the input jack of the external effect,
and connect the output jack of the external effect
to the EMX66M’s AUX IN jack.
OUT jack to the input jack of the external effect,
and connect the output jack of the external effect
to the EMX66M’s AUX IN jack.
Note: Set the power amp select switch of the POW-
ER AMP section to the “MAIN MON” position. If
you are using an external effect, we recommend that
you turn down the EFFECT RTN controls of the
MAIN and MONITOR sections. If the external ef-
fect has a stereo output, it is possible to connect its
output jacks to the LINE jacks of channels 5. How-
ever in this case, be sure that the EFFECT controls
are turned all the way down for the channels into
which the effect sound is being input. If the EFFECT
controls are raised, feedback will occur, and your
speakers may be damaged.
ER AMP section to the “MAIN MON” position. If
you are using an external effect, we recommend that
you turn down the EFFECT RTN controls of the
MAIN and MONITOR sections. If the external ef-
fect has a stereo output, it is possible to connect its
output jacks to the LINE jacks of channels 5. How-
ever in this case, be sure that the EFFECT controls
are turned all the way down for the channels into
which the effect sound is being input. If the EFFECT
controls are raised, feedback will occur, and your
speakers may be damaged.
–15
+15
HIGH
MID
LOW
LEVEL
MONITOR
EFFECT
–15
+15
–15
+15
0
+15
0
+15
0
10
PAD
–15
+15
1
HIGH
MID
LOW
LEVEL
MONITOR
EFFECT
–15
+15
–15
+15
0
+15
0
+15
0
10
1
PAD
2
2
PAD
–15
+15
3
HIGH
MID
LOW
LEVEL
MONITOR
EFFECT
–15
+15
–15
+15
0
+15
0
+15
0
10
3
PAD
4
4
PAD
5
5
PAD
6
6
1
2
1
1
2
2
1
2
EEEngine
SEE REAR PANEL CAUTION
Hi-Z
Hi-Z
Hi-Z
Hi-Z
Low-Z
Low-Z
Low-Z
Low-Z
LINE
MIC
MIC
Super Hi-Z
EFFECT OUT
FOOT SW
AUX IN
INPUT TO MAIN
OUT PUT
2TR
IN
REC
OUT
MAIN
MONITOR
ON /
OFF
DIGITAL
EFFECT
VOCAL ECHO 1
VOCAL ECHO 2
VOCAL
REVERB 1
VOCAL
REVERB 2
HALL 1
HALL 2
ROOM
PLATE
ON
EFFECT
10
0
10
0
EFFECT RTN
2TR IN
GEQ
MASTER
+12
6
0
6
–12
+12
6
0
6
–12
125
250
500
1k
2k
4k
8k
+6
+3
0
-5
-10
10
0
10
0
MAIN
AUX IN
10
0
10
0
10
0
EFFECT RTN
2TR IN
GEQ
MASTER
+12
6
0
6
–12
+12
6
0
6
–12
125
250
500
1k
2k
4k
8k
+6
+3
0
-5
-10
MONITOR
PHANTOM
ON
OFF
POWER AMP
LIMITER
MON
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
BRIDGE
A
B
power
YAMAHA
SPEAKER
PROCESSING
–15
+15
HIGH
MID
LOW
LEVEL
MONITOR
EFFECT
–15
+15
–15
+15
0
+15
0
+15
0
10
–15
+15
HIGH
MID
LOW
LEVEL
MONITOR
EFFECT
–15
+15
–15
+15
0
+15
0
+15
0
10
–15
+15
HIGH
MID
LOW
LEVEL
MONITOR
EFFECT
–15
+15
–15
+15
0
+15
0
+15
0
10
88
*1
MON
MAIN
MAIN
MAIN
MAIN
BRIDGE
1
1
2
2
Power amp
select switch
select switch
Footswitch
(YAMAHA FC5)
Electric-acoustic
guitar
Main Speakers
SPEAKERS A
SPEAKERS B
Keyboard
Microphone
Electric
bass
Effects Processor
Monitors Speakers
*1. Although this example shows an ex-
ternal effects processor and foot-
switch, which is used to turn on and
off the built-in digital effects proces-
sor, connected to the EMX66M, in
practice, only one effects processor,
internal or external, will be used at a
time, so the footswitch is not required
when using external effects.
switch, which is used to turn on and
off the built-in digital effects proces-
sor, connected to the EMX66M, in
practice, only one effects processor,
internal or external, will be used at a
time, so the footswitch is not required
when using external effects.