Справочник Пользователя для Behringer PMX3000

EUROPOWER PMX1000/PMX3000/PMX5000

3. DIGITAL EFFECTS PROCESSOR

PMX5000: The SUB FILTER filters out frequencies above

the selected setting, so that only low frequencies are sent

to an (active) subwoofer via the MONO OUT

). Set this

switch to On to activate the filter.
PMX5000: The SUB FREQ control determines the cut-off

frequency for the subwoofer output. This value can be

adjusted from 30 to 200 Hz.
The PHONS/CTRL R control adjusts the headphone or

control room volume (see also

PMX3000/PMX5000: The MAIN 2 control determines the

volume at the MAIN 2 output (see also

), which is the

same signal as at MAIN 1, but with extra output jacks and

separate volume control.
PMX3000/PMX5000: With the CD/TAPE IN control you can

adjust the volume of the line signal present at the CD/TAPE

INPUT

. Use the PFL switch to monitor the signal.

PMX1000: With the CD/TAPE RET fader you can adjust

the line signal applied to the CD/TAPE INPUT

. Use the

CD/TAPE MUTE switch to mute the channel.

2.4.1 Connectors

Use the CD/TAPE INPUT jacks (RCA) to connect an

external stereo signal, such as a CD player, tape deck or

other line-level sources.

The VOICE CANCELLER filters vocal-specific

frequencies from the CD/TAPE INPUT signal. This

function can be used for karaoke, i.e. you can

remove the vocals from a song and then sing

along with the music yourself.
The CD/TAPE OUTPUT provides the line level stereo signal

(e.g. for a DAT recorder).

If the CD/TAPE OUT signal is connected to a

recording machine whose output signal is returned

to the CD/TAPE IN, feedback can occur when you

activate the record function on the recording

machine. So, disconnect the CD/TAPE IN from the

recording machine before you start recording or

set the CD/TAPE input signal to zero!

PMX1000:

The MAIN OUT jacks allow you to send the main

line level signal to an external amplifier, when, for example,

you want to use the mixer and effects section

The

PMX3000 and PMX5000 have two separately controllable

line level MAIN outputs

(MAIN 1/2).

Connect your monitor power amps or active monitor

speakers to the MON 1/2 SEND to monitor the signal mix

created with the MON controls or to route it to the musicians

on stage

The POWER AMP INSERT is used to feed an external

signal to the power stage of the mixer. The AMP MODE

setting does not affect the signal.
The FOOTSWITCH jack is for a standard footswitch. You

can activate an effect bypass, thereby muting the effects

processor. Use a dual foot switch for the PMX5000, so

that you can enable/disable FX1 and FX2 independently of

each other. In this case, the tip of the 1/4" plug controls

FX1, and the ring FX2.
PMX3000/PMX5000: The MONO OUT is for connecting a

subwoofer. The PMX5000 has the additional possibility of

setting the low-frequency range for the subwoofer. Use

the SUB FILTER control

to adjust the frequency.

The FX SEND connector can be used to route the FX

SEND signal from the input channel, for example, to the

input of an external effects device. Since the PMX5000

has two FX controls per input signal (see

), both FX

SEND 1+2 are present at one jack.

Please note: The SEND signal is in parallel with the

FX SEND jacks and with the effects processor, so

that both can be controlled together by one control.

For the FX signals, use a 1/4" stereo plug connected

as follows: FX1 = tip; FX2 = ring

The PHONS/CTRL connector allows you to connect a

pair of stereo headphones or an (active) monitor speaker.

2.5 Rear panel

The mains connection is via a standard IEC receptacle. An

appropriate power cord is supplied with the unit.
FUSE HOLDER. Before connecting the unit to the mains,

ensure that the voltage setting matches your local voltage.

Blown fuses should only be replaced by fuses of the same

type and rating. Please also read the information given in

the SPECIFICATIONS.
Use the POWER switch to put your PMX into operation.

The POWER switch should always be in the Off position

before connecting your unit to the mains.

Please note: The POWER switch does not fully

disconnect the unit from the mains. Unplug the power

cord completely when the unit is not used for prolonged

periods of time.
SERIAL NUMBER. Please take the time to fill in and return

the warranty card within 14 days after the date of purchase,

so as to benefit from our extended warranty. Or register

online at www.behringer.com.
This is where you find the cooling fan of the unit

The PMX5000 has two cooling fans.
OUTPUT A (LEFT) provides either the left stereo main signal

or the monitor signal in mono, depending on the operating

mode selected (see

). NEVER use this output in bridged

mono mode.
OUTPUT B (RIGHT/BRIDGE) provides either the right stereo

main signal, the main mix signal (mono) or the bridged mono

signal, depending on the operating mode selected.

In BRIDGE mode always connect only one loudspeaker

with an impedance of at least

8 W

to the OUTPUT B

jack! NEVER use OUTPUT A in BRIDGE mode

In all other operating modes the impedance of the

connected loudspeaker must not fall below 4

3. DIGITAL EFFECTS PROCESSOR

A special feature of your PMX power mixer its built-in

multi-effects processor that features the same audio

quality as our renowned studio-grade VIRTUALIZER

PRO DSP2024P. The PMX5000 even has two effects

processors, each of them with 99 different studio effects such

as reverb, chorus, flanger, delay, vocal distortion as well as

various effects combinations.

CATHEDRAL: Simulates the dense, long reverberation of a

large cathedral, which is appropriate for solo instruments or vocals

in slow pieces. Choose between two variations.

PLATE: Simulates the sound of plate reverberation and hence

is a classic for drums (snare) and vocals. The second variation

features more high-end sparkle than the first.

CONCERT: Select between a small theater and a large hall.

Although this program is similar to studio (see below) it features

more, presence which adds to its lively character.

STAGE: Is well suited for dissipating the sound of a keyboard

or an acoustic guitar.

ROOM: You can clearly hear the walls of the room. A useful

program for reverb that isnt directly noticable (rap, hip hop

vocals) or to make dry recordings of instruments sound natural

again.

STUDIO: This simulation of a middle to large-sized room is

also available in two variations. Both variations sound very natural

and can be used as all-purpose effects.

SMALL HALL: Simulates a small, lively (strongly reflecting)

hall and is perfect for processing drums.