Boss Audio Systems GT-100 사용자 설명서

You can produce a wah effect with the filter changing in response to the 

guitar level .

Selects the wah mode .

LPF

This creates a wah effect over a wide 

frequency range .

BPF

This creates a wah effect in a narrow 

frequency range .

Selects the direction in which the filter will change in response to 

the input .

DOWN

The frequency of the filter will fall .

UP

The frequency of the filter will rise .

0–100

Adjusts the sensitivity at which the filter will 

change in the direction determined by the 

polarity setting . Higher values will result in 

a stronger response . With a setting of 0, the 

strength of picking will have no effect .

0–100

Adjusts the center frequency of the Wah 

effect .

0–100

Adjusts the way in which the wah effect 

applies to the area around the center 

frequency .
Higher values will produce a stronger tone 

which emphasizes the wah effect more . With 

a value of 50 a standard wah sound will be 

produced .

EFFECT LEVEL 0–100

Adjusts the volume of the effect sound .

0–100

Adjusts the volume of the direct sound .

This changes the filtering over a periodic cycle, providing an automatic 

wah effect .

Selects the wah mode .

LPF

This creates a wah effect over a wide 

frequency range .

BPF

This creates a wah effect in a narrow 

frequency range .

0–100,  
BPM   – 

Adjusts the frequency (speed) of the change .

*  When set to BPM, the value of each 

parameter will be set according to the 

value of the “MASTER BPM” specified for 

each patch . This makes it easier to achieve 

effect sound settings that match the tempo 

of the song .

*  If, due to the tempo, the time is longer than 

the range of allowable settings, it is then 

synchronized to a period either 1/2 or 1/4 

of that time .

0–100

Adjusts the depth of the effect .

0–100

Adjusts the center frequency of the Wah 

effect .

0–100

Adjusts the amount of wah effect applied in 

the range near the center frequency . Higher 

values will produce a stronger tone which 

emphasizes the wah effect more . With a value 

of 50 a standard wah sound will be produced .

EFFECT LEVEL 0–100

Adjusts the volume of the effect sound .

0–100

Adjusts the volume of the direct sound .

You can control the wah effect in real time by adjusting the [EXP] pedal or 

the expression pedal connected to the SUB CTL 1, 2/SUB EXP jack .

Selects the type of wah .

CRY WAH

This models the sound of the CRY BABY wah 

pedal popular in the ‘70s .

VO WAH

This models the sound of the VOX V846 .

FAT WAH

This is a wah sound featuring a bold tone .

LIGHT WAH

This wah has a refined sound with no unusual 

characteristics .

7STRING WAH

This expanded wah features a variable range 

compatible with seven-string and baritone 

guitars .

RESO WAH

This completely original effect offers en-

hancements on the characteristic resonances 

produced by analog synth filters .

0–100

Adjusts the position of the wah pedal .

*  This parameter is used after it’s been as-

signed to an EXP Pedal or similar controller .

0–100

Selects the tone produced when the heel of 

the EXP Pedal is depressed .

0–100

Selects the tone produced when the toe of 

the EXP Pedal is depressed .

EFFECT LEVEL 0–100

Adjusts the volume of the effect sound .

0–100

Adjusts the volume of the direct sound .

This is an effect that produces a long sustain by evening out the volume 

level of the input signal . You can also use it as a limiter to suppress only the 

sound peaks and prevent distortion .

Selects the compressor type .

BOSS COMP

This models a BOSS CS-3 .

HI-BAND

This is a compressor that adds an even 

stronger effect in the high end .

LIGHT

This is a compressor with a light effect .

D-COMP

This models a MXR DynaComp .

ORANGE

This is modeled on the sound of the Dan 

Armstrong ORANGE SQUEEZER .

FAT

When applied heavily, this compressor effect 

provides a fat tone with a boosted midrange .

MILD

When applied heavily, this compressor effect 

produces a sweet tone with the high end cut .

STEREO COMP

This selects a stereo compressor .

0–100

Adjusts the range (time) over which low-level 

signals are boosted . Larger values will result 

in longer sustain .

0–100

Adjusts the attack time .

0–100

Adjusts the volume .

-50–+50

Adjusts the tone .