Roland v-synth xt 业主指南

 

Bass Multi provides Comp/Limiter, Overdrive or Distortion, 3-band 
equalizer, and Chorus or Flanger effects connected in series. This 
algorithm is a multi-effects for bass.

 

fig.MFX-35

 

Mod Phase

0–180 deg

Sets how the chorus or flanger 
sound is spread.

Mod Pre Delay

0–50.0 ms

Adjusts the delay time from the 
direct sound until the chorus or 
flanger sound is heard.

Mod Feedback

-98– +98%

Adjusts the proportion of the ef-
fect sound that is fed back into 
the effect. Negative (-) settings 
will invert the phase.

Mod XoverLPF

500–15000 Hz, 
THRU

Adjusts the cutoff frequency of 
the low pass filter. (THRU: no 
filter is used)

Mod XoverHPF THRU, 50–800 

Hz

Adjusts the cutoff frequency of 
the high pass filter. (THRU: no 
filter is used)

Mod Level

0–127

Volume of the chorus or flanger 
sound.

Delay Time

0–1300 ms, note Adjusts the delay time from the 

direct sound until the delay 
sound is heard.

Delay Feedback -98– +98%

Adjusts the proportion of the de-
lay sound that is fed back into 
the effect. Negative (-) settings 
will invert the phase.

Hi Damp Freq

500–15000 Hz, 
THRU

Adjusts the frequency above 
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the 
higher frequencies first, makes 
the delay sound more natural.

Delay Level

0–127

Volume of the delay sound.

 

Comp Sw

OFF, ON

Turns the comp/limiter on/off.

Comp Thresh-
old #1

-60–0 dB

Sets the volume level at which 
the compression begins.

Comp Attack

0–127

Sets the time after the sound vol-
ume is crossed the compressor 
threshold until compression be-
gins.

Comp Release

0–127

Specifies the time from when the 
volume drops below the com-
pressor threshold until com-
pression is no longer applied.

Comp Ratio

1.5:1, 2:1, 4:1, 
100:1

Sets the “source sound:output 
sound” compression ratio.

Comp Gain

-60– +12 dB

Adjusts the output gain.

Distortion Sw

OFF, ON

Selects whether to use overdrive 
or distortion.

Drive Mode

OD, DS

Selects whether to use overdrive 
(OD) or distortion (DS).

Drive

0–127

Degree of distortion

Amp Sim Sw

OFF, ON

Turns the amp simulator on/off.

3-Band

EQ

Chorus/
Flanger

Overdrive/

Distortion

L

R

Comp/
Limiter

 

Amp Type

SMALL, 
BUILT-IN, 2-
STACK, 3-
STACK

Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack 
amp
3-STACK: large triple stack amp

Distortion Level  0–127

Volume of the overdrive or dis-
tortion sound.

EQ Low Freq

50–4000 Hz

Frequency of the low range

EQ Low Gain

-15– +15 dB

Gain of the low range

EQ Mid Freq

50–20000 Hz

Frequency of the middle range

EQ Mid Q

0.5, 0.7, 1.0, 2.0, 
4.0, 8.0

Gain of the middle range
Set a higher value for Q to nar-
row the range to be affected.

EQ Mid Gain

-15– +15 dB

Gain of the middle range

EQ Hi Freq

2000–20000 Hz

Frequency of the high range

EQ Hi Gain

-15– +15 dB

Gain of the high range

Mod Mode 
(Chorus / 
Flanger)

CHORUS, 
FLANGER

Selects whether to use chorus or 
flanger.

Mod Rate

0.05–10.0 Hz, 
note

Adjusts the speed of modulation 
for the chorus or flanger.

Mod Depth

0–127

Adjusts the depth of modulation 
for the chorus or flanger.

Mod Phase

0–180 deg

Sets how the chorus or flanger 
sound is spread.

Mod Pre Delay

0–50.0 ms

Adjusts the delay time from the 
direct sound until the chorus or 
flanger sound is heard.

Mod Feedback

-98– +98%

Adjusts the proportion of the ef-
fect sound that is fed back into 
the effect. Negative (-) settings 
will invert the phase.

Mod XoverLPF

500–15000 Hz, 
THRU

Adjusts the cutoff frequency of 
the low pass filter. (THRU: no 
filter is used)

Mod XoverHPF THRU, 50–800 

Hz

Adjusts the cutoff frequency of 
the high pass filter. (THRU: no 
filter is used)

Mod Level

0–127

Volume of the chorus or flanger 
sound.

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