用户手册 — Roland Fantom-S88

目录

• USING THE UNIT SAFELY

  3
• IMPORTANT NOTES

  5
• Main Features

  13
• Panel Descriptions

  14
  • Front Panel

    14
  • Rear Panel

    16
• Overview of the Fantom-S

  17
  • How the Fantom-S Is Organized

    17
    • Basic Structure

      17
    • Classification of Fantom-S Sound Types

      17
    • About Simultaneous Polyphony

      19
  • About Memory

    19
    • Temporary Memory

      20
    • Rewritable Memory

      20
    • Non-Rewritable Memory

      20
  • About the Onboard Effects

    20
    • Effect Types

      20
    • How Effects Units Work in Different Modes

      21
  • About the Sequencer

    21
    • What Is a Song?

      21
    • What Is a Track?

      21
    • Phrase Tracks 1–16

      21
    • Tempo Track

      22
    • Beat Track

      22
    • Songs and the Sound Generator Mode

      22
    • Positions for Storing a Song

      22
  • About the Sampling Section

    23
    • Samples

      23
    • Multisamples

      23
    • Where Samples are Stored

      23
  • Basic Operation of the Fantom-S

    24
    • Switching the Sound Generator Mode

      24
    • About the [1]–[8] Buttons

      24
    • Moving the Cursor

      25
    • Modifying a Value

      25
• Playing in Patch Mode

  26
  • About the Patch Play Screen

    26
    • Displaying Patch Play Screen

      26
  • Selecting a Patch

    27
    • Selecting Favorite Patches (Favorite Sound)

      28
    • Selecting Patches from the List

      28
    • Auditioning Patches (Phrase Preview)

      29
    • Selecting Patches by Category (Patch Finder)

      29
    • Registering a Favorite Patch (Favorite Sound)

      30
    • Registering Favorite Rhythm Sets (Favorite Sound)

      31
  • Transposing the Keyboard in Octave Units (Octave Shift)

    31
  • Transposing the Keyboard in Semitone Steps (Transpose)

    32
  • Selecting the Tones That Will Sound (Tone On/Off)

    32
  • Playing Single Notes (Mono)

    32
  • Creating Smooth Pitch Changes (Portamento)

    33
  • Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Sett...

    33
    • Specifying the Part that Will be Affected by the Controller

      33
    • Assigning a Parameter to a Controller

      34
  • Playing Percussion Instruments

    37
    • Selecting a Rhythm Set

      37
    • Playing a Rhythm Set

      38
• Creating a Patch

  39
  • How to Make the Patch Settings

    39
    • Editing in a Graphic Display (Zoom Edit)

      40
    • Initializing Patch Settings (Init)

      40
    • Copying Patch (Tone) Settings (Copy)

      40
    • Cautions When Selecting a Waveform

      41
  • Saving Patches You’ve Created (Write)

    42
    • Auditioning the Save-Destination Patch (Compare)

      42
  • Functions of Patch Parameters

    43
    • Settings Common to the Entire Patch (General)

      43
    • Modifying Waveforms (Wave)

      45
    • Changing How a Tone Is Sounded (TMT)

      46
    • Modifying Pitch (Pitch/Pitch Env)

      49
    • Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)

      50
    • Adjusting the Volume (TVA/TVA Env)

      53
    • Modulating Sounds (LFO)

      56
    • Apply Portamento or Legato to the Sound (Solo Porta)

      58
    • Miscellaneous Settings (Misc)

      60
    • Matrix Control Settings (Ctrl1–4)

      61
    • Setting Effects for a Patch (Effects/ MFX/MFX Control/Chorus/Reverb)

      63
• Creating a Rhythm Set

  64
  • How to Make the Rhythm Set Settings

    64
    • Editing in a Graphic Display (Zoom Edit)

      64
    • Initializing Rhythm Set Settings (Init)

      65
    • Copying Rhythm Tone Settings (Copy)

      65
    • Cautions When Selecting a Waveform

      66
  • Saving Rhythm Sets You’ve Created (Write)

    66
    • Auditioning the Save-Destination Rhythm Set (Compare)

      67
  • Functions of Rhythm Set Parameters

    67
    • Making Settings Common to the Entire Rhythm Set (General)

      67
    • Modifying Waveforms (Wave)

      68
    • Changing How a Rhythm Tone Is Sounded (WMT)

      70
    • Modifying Pitch (Pitch/Pitch Env)

      71
    • Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)

      72
    • Adjusting the Volume (TVA/TVA Env)

      73
    • Output Settings

      75
    • Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/ Reverb)

      75
• Playing in Performance Mode

  76
  • Displaying Performance Layer Screen

    76
  • Displaying Performance Mixer Screen

    76
    • Functions in the PERFORMANCE Layer/Mixer Screen

      77
  • Selecting a Performance

    78
    • Selecting Performances from the List

      78
    • Selecting Favorite Performances (Favorite Sound)

      78
    • Registering a Favorite Performance (Favorite Sound)

      79
  • Using the Layer Screen

    79
    • Selecting a Part

      79
    • Selecting the Part that You want to Sound

      79
    • Selecting the Sound for a Part

      79
    • Combining and Playing Sounds Together (Layer)

      80
    • Playing Different Sounds in Different Areas of the Keyboard (Split)

      80
  • Using the Mixer Screen

    81
    • Selecting a Part

      81
    • Selecting the Sound for a Part

      81
    • Editing the Part Settings

      82
    • Selecting a Part to Play Individually (Solo)

      82
    • Silencing the Playback of a Specific Part (Mute)

      82
  • Viewing the Part Settings as a List (Performance Part View)

    83
    • Performing with the Arpeggio/ Rhythm function

      83
    • Performing with the Realtime Controllers and D Beam Controller

      83
  • Confirming MIDI Information for Each Part (Part Information)

    83
• Creating a Performance

  84
  • Viewing the Part Settings as a List (Performance Part View)

    84
  • Adjusting the Parameters of Each Part

    84
  • Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Sett...

    91
    • Make Settings for the Realtime Controllers and D Beam Controller (Ctrl)

      92
    • Setting Effects for a Performance (Effects/MFX/MFX Control/Chorus/ Reverb)

      95
  • Changing the Settings of the Patch Assigned to a Part

    95
  • Initializing Performance Settings (Init)

    96
  • Saving Performance You’ve Created (Write)

    96
• Modifying the Sound in Real Time

  98
  • Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller)

    98
    • Making Settings for the D Beam Controller

      98
  • Using Knobs or Buttons to Modify the Sound (Realtime Controller)

    101
    • Making Realtime Controller Settings

      101
  • Using a Pedal to Modify the Sound (Control Pedal)

    102
    • Making Control Pedal Settings

      102
• Playing Arpeggios (ARPEGGIO/RHYTHM Function)

  104
  • About Arpeggio

    104
  • Playing Arpeggios

    104
    • Turning Arpeggio On and Off

      104
    • Determining the Tempo for Arpeggio Performances

      104
    • Holding an Arpeggio

      104
    • Turning Arpeggio Switch On and Off

      105
  • Arpeggio Settings

    105
    • Selecting Styles for Arpeggio Performances (Arpeggio Style)

      105
    • Changing the Beat and Shuffle (Grid)

      106
    • Applying Staccato and Tenuto (Duration)

      106
    • Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds) (Motif)

      106
    • Adjusting the Velocity of the Arpeggio (Arpeggio Velocity)

      106
    • Selecting the Part that Will Play Arpeggios in Performance Mode (Part)

      107
    • Hanging the Range of the Arpeggio (Octave Range)

      107
    • Changing the Accent Strength (Accent Rate)

      107
    • Using the Realtime Control Knobs to Edit the Arpeggio Settings

      107
  • Creating Your Own Styles

    107
  • Saving the Styles You Have Created (WRITE)

    109
• Using the Chord Memory Function (CHORD MEMORY)

  110
  • About the Chord Memory Function

    110
  • Performing with the Chord Memory Function

    110
    • Turning Chord Memory Function On and Off

      110
    • Selecting Chord Forms

      110
  • Creating Your Own Chord Forms

    111
  • Saving the Chord Forms You Have Created

    111
• Playing Rhythms

  112
  • About Rhythm Patterns

    112
  • Using Rhythm Groups

    112
  • Playing Rhythm

    112
    • Turning Rhythm On and Off

      112
    • Determining the Tempo for Rhythm Pattern Performances

      112
    • Select the Rhythm Group

      113
  • Rhythm Pattern Settings

    113
    • Selecting Rhythm Patterns

      113
    • Changing the Beat and Shuffle (Grid)

      113
    • Applying Staccato and Tenuity (Duration)

      114
    • Changing the velocity of Rhythm Pattern (Rhythm Pattern Velocity)

      114
    • Changing the Accent Strength (Accent Rate)

      114
    • Using the Realtime Control Knobs to Control the Rhythm

      114
    • Turning Rhythm Switch On and Off

      114
  • Creating Your Own Styles (Rhythm Pattern Edit)

    115
  • Saving the Patterns You Have Created (WRITE)

    116
  • Creating Your Own Styles (Rhythm Group Edit)

    116
  • Saving the Rhythm Group You Have Created (WRITE)

    117
• Sampling

  118
  • Making Input Source Settings (INPUT SETTING)

    118
  • Input Effect Setup Settings

    119
  • Sampling Procedure

    119
    • Dividing a Sample During Sampling

      121
  • Sampling Earlier in Time (Skip Back Sampling)

    121
• Editing a Sample

  122
  • Selecting a Sample (Sample List)

    122
    • Selecting a Sample

      122
    • Loading a Sample

      123
    • Loading all Samples

      123
    • Unloading a Sample

      123
    • Deleting a Sample

      123
    • Importing a Audio File

      124
  • Displaying Sample Edit Screen

    124
    • Magnifying/Shrinking the Waveform Display (Zoom In/Out)

      124
  • Setting the Start/End Points of the Sample

    125
  • Making Settings for Sample (Sample Parameters)

    125
  • Assigning Samples to a Pad (Assign To Pad)

    126
    • From Patch Mode

      126
    • From Performance Mode

      126
  • Assigning a Sample as a Patch to a Part (Assign to Keyboard)

    127
    • From Patch Mode

      127
    • From Performance Mode

      127
  • Create a Rhythm Set (Create Rhythm)

    128
  • Creating a Multisample (Create Multisample)

    128
  • Unloading a Sample (Unload)

    129
  • Removing Unwanted Portions of a Sample (Truncate)

    129
  • Boosting or Limiting the High- frequency Range of the Sample (Emphasis)

    130
  • Maximizing the Volume of a Sample (Normalize)

    130
  • Amp

    131
  • Stretching or Shrinking a Sample (Time Stretch)

    131
  • Dividing a Sample into Notes (Chop)

    132
    • Procedure for Dividing a Sample

      132
    • Automatically Dividing a Sample (Auto Chop)

      132
    • Auditioning the Divided Samples

      133
  • Joining Two or More Samples (Combine)

    133
  • Saving a Sample

    134
• Using the Pads

  135
  • Using the Hold Function to Sustain a Sound

    135
  • Using the Roll Function to Play Sounds

    135
  • Using the Clipboard to Copy Pad Settings

    136
    • Copying one Pad Setting

      136
    • Copying Two or More Pad Setting

      136
  • Adjusting the Pad Settings (PAD SETTING)

    136
    • Multi-Velocity

      137
  • Assigning a Pattern to a Pad (RPS Function)

    137
  • Using the Pads to Play Rhythms

    137
• Playing Back a Song

  138
  • Playing a Song Immediately (Quick Play)

    138
  • Playing Back Songs Consecutively (Chain Play)

    138
  • Various Playback Methods

    139
    • Fast-Forward and Rewind During Playback

      139
    • Playing Back Correctly from the Middle of the Song (MIDI Update)

      139
    • Muting the Playback of a Specific Instrument

      139
    • Changing the Playback Tempo of a Song

      139
    • Playing a Song Back at a Fixed Tempo (Muting the Tempo Track)

      140
    • Playing Back a S-MRC Format Song

      140
    • Playing Back a Song Repeatedly (Loop Play)

      140
    • Using the D Beam Controller to Start/Stop Song Playback

      140
• Recording Songs

  141
  • Two Recording Methods

    141
  • Before You Record a New Song

    141
    • Select the Sound to be Used for Recording

      141
    • Erasing the Song/Pattern from Internal Memory (Song Clear)

      141
    • Specify the Time Signature

      141
  • Recording Your Performance as You Play It (Realtime Recording)

    142
    • Basic Operation for Realtime Recording

      142
    • Recording Tempo Changes in a Song (Tempo Recording)

      143
    • Loop Recording and Punch-In Recording

      143
    • Correct the Timing of Your Playing as You Record (Recording Quantize)

      144
    • Selecting the Sequencer Data that will Be Recorded (Recording Select)

      145
    • Erasing Unwanted Data While You Record (Realtime Erase)

      145
    • Auditioning Sounds or Phrases While Recording (Rehearsal Function)

      145
  • Inputting Data One Step at a Time (Step Recording)

    146
    • Inputting Notes and Rests

      146
    • Assigning a Pattern to a Phrase Track

      148
• Editing Songs

  149
  • Loading the Song You Want to Edit

    149
    • Loading Individual Tracks/Patterns of Song Data

      149
    • Using Different Sound Generators for Each Track

      150
    • Silencing the Playback of a Track (Mute)

      150
    • Assigning Markers (Locate Positions) to a Song

      150
    • Specifying the Area of a Song that will Repeat (Loop Points)

      151
  • Editing Sequencer Data Over the Specified Range (Track Edit)

    151
    • Basic Operation for Track Editing

      151
    • Aligning a Song’s Timing (Quantize)

      152
    • Erasing Unwanted Performance Data (Erase)

      154
    • Deleting Unwanted Measures (Delete)

      155
    • Copying Phrases (Copy)

      155
    • Inserting a Blank Measure (Insert)

      156
    • Transpose the Key (Transpose)

      156
    • Changing the Velocity (Volume) (Change Velocity)

      157
    • Changing the MIDI Channel (Change Channel)

      158
    • Modifying the Length of Notes (Change Duration)

      158
    • Combining Two Phrase Tracks or Patterns into One (Merge)

      159
    • Extracting and Moving a Part of Sequencer Data (Extract)

      159
    • Shifting Performance Data Forward and Back (Shift Clock)

      160
    • Thinning Out the Sequencer Data (Data Thin)

      161
    • Swapping Two Phrase Tracks or Patterns (Exchange)

      161
    • Adjusting the Song’s Playback Time (Time Fit)

      162
    • Deleting Blank Measures (Truncate)

      162
  • Editing Individual Items of Sequencer Data (Micro Edit)

    162
    • Editing Sequencer Data (Basic Procedure in the Microscope)

      162
    • Sequencer Data Handled by a Phrase Track/Pattern

      163
    • Viewing Sequencer Data (View)

      164
    • Inserting Sequencer Data (Create)

      165
    • Erasing Sequencer Data (Erase)

      165
    • Moving Sequencer Data (Move)

      165
    • Copying Sequencer Data (Copy)

      166
    • Changing the Tempo Midway Through the Song

      166
    • Changing the Time Signature Midway Through the Song

      167
  • Assigning a Name to a Song (Song Name)

    167
• Saving/Loading a song (SAVE/LOAD)

  168
  • Saving a Song (Save)

    168
    • Basic Procedure

      168
    • Saving a Song with Samples (Save Song+Samples)

      168
    • Saving a Song (Save Song)

      169
    • Saving Samples (Save All Samples)

      169
  • Saving a Song as an SMF File (Save as SMF)

    170
  • Loading a Song (Load)

    170
    • Basic Procedure

      170
    • Loading a Song with Samples (Load Song+Samples)

      171
    • Loading a song (Load Song)

      171
    • Loading Samples (Load All Samples)

      171
  • Importing a WAV/AIFF File (Import Audio)

    171
• Playing a Phrase at the Touch of a Finger (RPS Function)

  172
  • Before You Use the RPS Function

    172
    • Record a Pattern

      172
    • Settings for the RPS Function

      172
  • Using the RPS Function While You Perform

    173
    • Recording a Performance Using the RPS Function

      174
• Adding Effects

  175
  • Turning Effects On and Off

    175
  • Making Effect Settings

    175
  • Applying Effects in Patch Mode

    175
    • Specifying How the Sound Will Be Output (Routing)

      175
    • Signal Flow Diagram and Parameters

      176
  • Applying Effects in Performance Mode

    178
    • Specifying How the Sound Will Be Output (Routing)

      178
    • Signal Flow Diagram and Parameters

      178
  • Making Multi-Effects Settings (MFX1–3)

    180
  • Making Multi-Effects Settings (MFX Control)

    181
  • Specifying the multi-effect structure (MFX Structure)

    182
  • Making Chorus Settings (Chorus)

    182
  • Making Reverb Settings (Reverb)

    182
  • Mastering Effect

    183
• Transferring Data to/from Your Computer via USB

  184
  • Before You Use USB Connection

    184
    • Connections

      184
    • Specify the Connection-Destination Area (USB)

      184
    • Cautions Regarding Folders and Files

      184
  • Importing Audio file (Import Audio)

    185
  • Using a Bitmap File as a Background in the Display

    185
    • Importing a Bitmap File (Import BMP)

      185
  • Canceling USB Communication

    186
• File-Related Functions (File Utility)

  187
  • Basic Procedure

    187
  • Copying a File (COPY)

    187
  • Deleting a File (DELETE)

    187
  • Moving a File (MOVE)

    187
  • Initializing a Memory Card (Format)

    187
• Settings Common to All Modes (System Function)

  188
  • How to Make the System Function Settings

    188
  • Saving the System Settings (Write)

    188
  • Functions of System Parameters

    189
    • Pedal/D Beam

      189
    • Keyboard

      189
    • System Ctrl

      190
    • Screen Saver

      190
    • Background

      190
    • Sync/Temp

      190
    • Metronome

      192
    • MIDI

      192
    • Sound

      193
    • Preview

      194
    • Scale Tune

      194
    • Sampling

      195
    • Start up

      195
  • System Information

    195
• Data Management Functions Reset to Default Factory Settings (Factory Reset)

  196
  • Basic Procedure

    196
  • Backing Up User Data (User Backup)

    196
  • Restoring User Data that You Backed Up (User Restore)

    196
  • Factory Reset

    196
• Playing in Piano Mode

  197
  • Selecting Piano Mode

    197
  • Selecting a Patch

    197
    • Selecting Patches by Category

      197
    • Selecting from the Patch List Screen

      197
  • Changing the Piano Sound (Open/Close)

    197
  • Adjusting the Keyboard Touch (Key Touch)

    198
  • Adjusting the Depth of Resonance (Resonance)

    198
  • Saving a Sound (Patch)

    198
• Using Fantom-S Editor

  199
  • Installing Fantom-S Editor into Your Computer

    199
  • Making Connections

    199
  • Using Fantom-S Librarian

    199
  • Fantom-S Editor System Requirements

    199
    • System Requirements (Windows)

      199
    • System Requirements (Mac OS)

      200
• About V-LINK

  201
  • What is V-LINK?

    201
  • Connection Examples

    201
  • Turning the V-LINK ON/OFF

    201
  • V-LINK Settings

    201
  • V-LINK Parameters

    202
    • Resetting the Image

      202
• Installing the Wave Expansion Board

  203
  • Cautions When Installing an Wave Expansion Board

    203
  • How to Install a Wave Expansion Board

    203
  • Checking the Installed Wave Expansion Boards

    204
• Installation de la carte d’expansion Wave

  205
  • Précautions à prendre lors de l’installation d’une carte d’expansion Wave

    205
  • Installation d’une carte d’expansion Wave

    205
  • Vérification des cartes d’extension audio aprés installation

    206
• Expanding the Memory

  207
  • Precautions for Expanding Memory

    207
  • How to Expand the Memory

    207
    • Removing the Memory

      208
  • Checking that memory is installed correctly

    208
• Ajouter de la mémoire

  209
  • Précautions à prendre lors de l’ajout de mémoire

    209
  • Installation du module de mémoire

    209
    • Retrait du module de mémoire

      210
  • Vérifier que la mémoire est installée correctement

    210
• Troubleshooting

  211
  • Problems Concerning the Entire Fantom-S

    211
  • Issues Related to Sound

    211
  • Issues Related to Effects

    213
  • Issues Related to Saving Data

    213
  • Issues Related to Sequencer

    214
  • Issues Related to MIDI and External Devices

    215
  • Issues Related to Sampling

    215
  • Issues Related to a Memory Card

    216
• Specifications

  217
• Index

  218